Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"What, you deny it--when I have just found you out!" Beckmesser cried
in a foaming rage. Hans looked at the table and saw that the
manuscript was gone. He grinned.
"So, you took the song, did you?" he asked.
"The ink was still wet."
"True, I'll be bound!"
"So then I've caught you deceiving!"
"Well, at least you never caught me stealing, and to save you from the
charge I'll just give you that song," Hans replied, still smiling.
Beckmesser stared at him.
"I'll warrant you have the song by heart," he said, narrowly eyeing
the shoemaker.
"No, that I haven't. And further than that, I'll promise you not to
lay any claim to it that shall thwart your use of it--if you really
want it." Hans spoke carelessly, watching the greedy town clerk from
the tail of his eye.
"You mean truly, that I may use that song as I like?"
"Sing it if you like--and know how," Sachs said obligingly.
"A song by Hans Sachs!" he exclaimed, unable to hide his joy--because
no one in Nuremberg could possibly write a song like Sachs. "Well,
well, this is very decent of you, Sachs! I can understand how anxious
you are to make friends with me, after your bad treatment last night."
Beckmesser spoke patronizingly, while his heart was fairly bursting
with new hope. Any song by Hans Sachs would certainly win him the
prize, even if he could but half sing it.
"If I am to oblige you by using this song," he hesitated, "then swear
to me you will not undo me by laying claim to it." After all, he was
feeling considerable anxiety about it. That he should be saved in this
manner was quite miraculous.
"I'll give my oath never to claim it so long as I live," Sachs
answered earnestly, thinking all the while what a rascal Beckmesser
was. "But, friend Beckmesser, one word; I am no scoffer, but truly,
knowing the song as I do, I have my doubts about your being able to
learn it in an hour or so. The song is not easy."
"Have no fear, Hans Sachs. As a poet, your place is first, I know; but
believe me, friend, when it comes to 'tone' and 'mode,' and the power
to sing, I confess I have no fear--nor an equal," the conceited ass
declared. "I tell you, confidentially, I have now no fear of that
presumptuous fellow, Walther. With this song and my great genius, we
shall no longer fear his bobbing upon the scene and doing harm."
Assured of success at last, away went Beckmesser, limping and
stumbling, to learn his song.
"Well, never did I see so malicious a fellow," Hans declared, as
Beckmesser stumbled out of sight. "And there comes Evchen--hello, my
Evchen, thou art dressed very fine. Well, well, it is to be thy
wedding day, to be sure."
"Yes--but the shoe pinches," she said putting her little foot upon the
bench.
"That will never do. That must be fixed," Hans answered gravely, his
eyes twinkling. He fell to examining the shoes. "Why, my child, what
is wrong with it? I find it a very fine fit?"
"Nay, it is too broad."
"Tut, tut, that is thy vanity. The shoe fits close, my dear."
Public-domain text, read in full here on John Shaqi.
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