Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"I must ask of thee one promise in return, dear maid. It is this: If I
win the fight in thy cause, and thou become my bride, never, as thou
dost love me, must thou ask whence I came. I must never be asked by
thee my name or race. This one promise alone must I crave of thee." He
waited hopefully for her answer.
His appearance was so noble that none could doubt him, and she
answered instantly:
"There is no doubt of thee in my heart, dear defender. I will never
question thee. I will ever cherish thy command." He raised her to her
feet, and embraced her.
"I shall guard and love thee always," Lohengrin answered, and led her
to the King who gave her into his charge. After that he stepped into
the midst of the crowd of nobles.
"I want you all to know that this maid is innocent. The tales of
Frederick of Telramund are false, and now I shall prove it by
vanquishing him in the fight. Great King, command us to begin." The
company drew back to their places, and the King commanded six knights
to measure a certain space upon each side, which he declared was a
fenced field for the combat. Three Saxon nobles advanced for
Lohengrin and three Brabantians for Frederick. When they had formed a
circle, all stuck their spears into the ground and waited.
The Herald declared that any one who interfered should lose his head.
He also declared that neither combatant should use magic arts in
fighting. The King stepped into the circle made for the fighters, and
prayed to Heaven to let the right conquer; to give the champion of the
right a stronger arm and more skill than his enemy.
The six men forming the circle stood beside their spears which were
stuck into the ground; the other nobles and freemen formed a larger
circle outside the battle ground, while Elsa and her ladies stood in
front, beneath the oak tree beside the King, and the fighters prepared
to enter the circle. The King struck his sword three times upon his
great shield which hung upon the tree, as a signal to begin. At the
first stroke the fighters entered the circle; at the second stroke
they raised their shields and drew their swords; at the third stroke
they began the fight. After a mighty battle, Frederick fell, and
Lohengrin placed the point of his sword at his throat.
"I shall spare thee, Frederick of Telramund. Repent in peace," he
said, standing aside that Telramund might get up from the ground. The
six men drew their spears from the ground, and the others who had
taken sides put their swords back into their scabbards, while Elsa
rushed into the knight's arms. The King cried to Lohengrin:
"Hail!" As Elsa sank upon the knight's breast, she sang of her love
for him and of her faith, and all rejoiced in having her innocence
proven, except Ortrud. She, indeed, looked dark and menacing.
Public-domain text, read in full here on John Shaqi.
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