Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"I have given thee the greatest confidence, by believing thee free
from every stain. With no proof but thy word, I fought for thy honour.
I asked no word to prove thy innocence. In return, I desired only
silence from thee about my name and birth and land. It was partly for
thy sake that I asked even so much. Now I will tell thee. But--" He
hesitated, begging her once more to let them live in happiness, and
not to ruin all by her fatal curiosity. At that moment, Frederick and
his false nobles broke through the door with drawn swords. They had
come to draw his blood and thus to render him quite powerless.
But Elsa, though quite ready to ruin him herself by her curiosity,
would not let him be hurt by another. Lohengrin's armour was laid off,
but the sword was by the couch. Elsa snatched it, thrust it into his
hand and with a single blow he killed Frederick. The nobles fell upon
their knees before him, while Elsa fainted. Lohengrin looked upon the
scene, feeling nothing but despair. If his blood had not been shed,
yet to save his life he had been forced to shed the blood of another,
and he had thus been rendered helpless, quite the same. After a moment
he rang a bell which summoned Elsa's ladies, and bidding the four
nobles rise, he confided Elsa to the care of the women.
"Bear the corpse to the King's judgment hall," he said to the men, who
then did as they were bid. "For you," he said to the women, "take your
mistress into the presence of the King, and I will answer all that she
desires to know. Nothing shall longer be hidden." He went out with his
head bent and his thoughts very sad and melancholy. The day began to
dawn, and the lights were all put out, and again the trumpets sounded
in the courtyard.
_Scene III_
All repaired again to the river bank, where Lohengrin had first been
seen, drawn by his swan. A count first entered, with his train of
vassals. He came upon a horse, and was assisted from it by one of his
train. Then he took his shield and spear from his pages who bore them,
and then set up his banner, after which the vassals grouped themselves
about it.
Trumpets were heard on all sides and counts continued to arrive in the
same order as the first, all with their vassals, all setting up their
spears and their people grouping themselves about them. Finally, the
Herald who announced the coming of the King was heard, whereupon all
the banners were unfurled and the trumpets of each noble and his
people were sounded, and then entered the King and his Saxon men. As
the King reached the royal oak, all struck their spears upon their
shields, and cried:
Public-domain text, read in full here on John Shaqi.
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