Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"Thieves!--the girls have run off--a nice return for our affections!"
"After them!--don't lose a minute," Lionel then cried in his turn, and
away rushed the farmhands.
"They are ours for one year, by law. Bring them back, or ye shall
suffer for it. Be off!" And the men mounted horses and went after the
runaways like the wind.
"Nice treatment!"
"Shameful!" Plunkett cried, dropping into a chair, nearly fainting
with rage.
ACT III
Plunkett's men had hunted far and wide for the runaways, but without
success. The farmer was still sore over his defeat: he felt himself
not only defrauded, but he had grown to love Nancy, and altogether he
became very unhappy. One day he was sitting with his fellow farmers
around a table in a little forest inn, drinking his glass of beer,
when he heard the sound of hunting horns in the distance.
"Hello! a hunting party from the palace must be out," he remarked, but
the music of the horn which once pleased him could no longer arouse
him from his moodiness. Nevertheless an extraordinary thing was about
to happen. As he went into the inn for a moment, into the grove
whirled--Nancy! all bespangled in a rich hunting costume and
accompanied by her friends who were enjoying the hunt with her. They
were singing a rousing hunting chorus, but Martha--Lady Harriet--was
not with them.
"What has happened to Lady Harriet?" some one questioned of Nancy, who
was expected to know all her secrets.
"Alas--nothing interests her ladyship any more," she replied! Nancy
knew perfectly well that, ever since their escapade, Harriet had
thought of nothing but Lionel. For Nancy's part, she had not thought
of much besides Plunkett; but she did not mean to reveal the
situation to the court busybodies. Then while the huntresses were
roaming about the inn, out came Plunkett! and Nancy, not perceiving at
first who he was, went up to him and began to speak.
"Pray, my good man, can you tell--Good heaven!" she exclaimed,
recognizing him; "Plunkett!"
"Yes, madame, Plunkett; and now Plunkett will see if you get the
better of him a second time. We'll let the sheriff settle this matter,
right on the spot."
"Man, you are mad. Do not breathe my name or each huntress here shall
take aim and bring you down. Ho, there!" she cried distractedly to her
friends; and she took aim at Plunkett, while all of the others closed
round him. It was then Plunkett's turn to beg for mercy.
"They're upon me, they've undone me!" he cried. "This is serious," and
so indeed it was. "But oh, dear me, there is a remarkable charm in
these girls, even if they do threaten a man's life," and still looking
back over his shoulder, away he ran, pursued by the girls. They had no
sooner gone than Lionel came in. He was looking disconsolately at the
flowers to which Martha sang the "Last Rose of Summer." He himself
sang a few measures of the song and then looked about him.
"Ah," he sighed, thinking still of Martha:
[Music:
Public-domain text, read in full here on John Shaqi.
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