Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
Upon that beautiful day, Bertha was thinking of all of these things,
and hoping something would happen to change the situation. Even while
she was thinking thus fate had a pleasant surprise in store for her,
because the old mother, Faith, was at that very moment approaching the
manor where Bertha lived. Like others of her class she owed vassalage
to some petty seigneur, and while that meant oppression to be
endured, it included the advantage of safety and protection in time of
war.
Bertha, looking off over the country road, saw Faith, John's mother,
coming. Her step was firm for one so aged, and she was upheld on her
long journey by the goodness of her mission. When Bertha saw her she
ran to meet and welcome her.
"Sit down," she cried, guiding the old woman's steps to a seat, and
hovering over her. "I have watched for your coming since the
morning--even since sunrise," the young woman said, fluttering about
happily. "I was certain thou wert coming."
"Yes, yes. John said: 'Go, go, mother, and bring Bertha home to me,'
and I have come," she answered, caressing Bertha kindly. "I have
decided to give over the work and the care to you young people; to sit
by the chimneyside and see you happy; so bid farewell to this place,
and prepare to return with me. John is expecting thee."
"At once, dear mother?" she asked with some anxiety. "You know,
mother, I am a vassal of the Seigneur Oberthal, and may not marry
outside of his domain, without his permission. I must first get that;
but he cannot wish to keep me here, when there is so much happiness in
store for me!" she cried, with all the assurance of her happiness
newly upon her. But while she had been speaking, Faith had looked off
toward the high-road:
"Look, Bertha! dost see three strange figures coming along there?" she
asked in a low tone, pointing toward the road. Bertha looked. It was
true: three men, in black, of sinister appearance, were coming toward
them. The pair watched.
"Who are they?" she repeated, still in low and half-frightened tones.
"I have seen them before," Bertha answered. "It is said that they are
saintly men, but they look sinister to me."
By this time the men had been joined by many of the peasants and were
approaching the castle. They were Jonas, Mathison, and Zacharia,
seditionists; but they were going through the country in the garb of
holy men, stirring up the people under cover of saintliness.
They preached to the people the most absurd doctrines; that they would
have all the lands and castles of the nobles if they should rise up
and rebel against the system of vassalage that then prevailed. They
lacked a leader, however, in order to make their work successful. Now
they had come to Dordrecht and were approaching the castle of the
Count of Oberthal. All the peasants got into a frightful tangle of
trouble and riot, and they called and hammered at the Count's doors
till he and his retainers came out.
Public-domain text, read in full here on John Shaqi.
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