Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
As John the Prophet passed, the revolutionary crowd threw themselves
at his feet; young girls strewed flowers in his path, the choir
chanted. Then, the Anabaptists having deposed the Elector Princes,
were to take their places. The Prophet was anointed with holy oil, a
great and impressive ceremony took place, and all the city rang with
the cries that proclaimed him king. Faith and Bertha could not see the
new king, but they were in the crowd, and they cursed this Prophet
again--none so vigorously as Bertha, while Faith hailed her as a new
Judith. After a time, all being prostrate upon their knees awaiting
the reentrance of the Prophet from the church, John appeared upon the
great staircase which led from the cathedral. As he stood there
looking unhappily upon all of those abased people who seemed to be
worshipping him, he thought he heard the voice of his dream of long
ago. "Woe through thee! Let him be accursed!" Overcome by the memory,
he uttered those words aloud. Faith heard the voice and screamed:
"My son! my son!" John of Leyden trembled and started toward her, his
arms outstretched, but Mathison, knowing the disastrous effect such
an acknowledgment would have upon the crowd who believed him of holy
origin, said in a low voice to John:
"Speak! reply to her, and she shall die, instantly! Deny thy mother,
or she shall be killed before thine eyes." The Anabaptists had no mind
to lose all they had risked so much for, when it was just within their
grasp. John looked at his mother, in agony and then he regained his
self-possession.
"Who is this woman?" he asked: it was to save her life that he did it.
At that cold denial of her, Faith clasped her hands and wept. Then she
became enraged at his ingratitude, and began to upbraid him.
"This poor wretch is mad," he said, but by that time the crowd was
beginning to murmur against him.
"He said he was the son of God! He is an impostor." The Anabaptists
seeing how fatal the effect of Faith's words was going to be, spoke
menacingly to John. Then John cried, as Jonas raised his sword to
strike the old mother down:
"Hold! respect the day! I, thy Prophet, hath to-day received His
crown. No bloodshed. This poor creature is demented. A miracle alone
can restore her reason," and he went toward Faith. "Woman, to thy
knees!" he said, but she made a gesture of indignation. He continued
to go toward her, then laying his hands lovingly upon her head he
looked meaningly into her eyes.
"To thy knees." His voice was soft and gentle, and slowly Faith fell
upon her knees, half comprehending that he was acting as fate
compelled him.
"Put up thy swords!" he commanded the people who had drawn them. Then
to Faith: "Thou wert wrong, good mother!" She looked at him a moment
longer.
"Yes!--wrong," she said, and bowed her head. At that the people burst
into cries of enthusiasm.
"Is he thy child?" Jonas asked loudly, placing his sword-point upon
her breast.
Public-domain text, read in full here on John Shaqi.
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