Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"Now close the gates," he said in a low voice to his officers. "Lock
them." He had not seen his mother. When the gates were closed, he
turned smilingly to the company. He called for wine.
"Let us drink!" he cried. Then Oberthal rose and shouted:
"Thou art mine, great Prophet! Surrender thyself." Still the Prophet
smiled at them. Jonas then cried:
"Yes, thou tyrant--thou art betrayed. We have thee fast! Surrender!"
"Oh, ye poor creatures," he answered. "Listen! do ye hear nothing?"
Still smiling upon them, as they stared at him, they heard a strange
rumbling below. The train he had laid to blow up the palace had fired
the powder.
"Thy time has come!" John of Leyden cried, and the vast hall began to
fill with smoke and powder fumes. Riot reigned, and just at that
moment Faith, her gray hair streaming about her, pushed through the
crowd and threw herself into her son's arms. He gave a great cry of
agony.
"Mother! Thou art here?"
"To die with thee, my son!" she shrieked, and with a roar the palace
fell about their ears.
MOZART
It is not at all probable that anything so ridiculous as the "Magic
Flute" story was ever before written. It might have been the concerted
effort of Artemus Ward, Theodore Hook, Bill Nye, and Mark Twain. But
an effort at coherence must be made in the putting together of this
story, because the opera is, above all things, one that every man,
woman, and child should know. Mozart's lovely music could not be
ruined, even by this story.
It has been said that the "Magic Flute" might have had some Masonic
significance. That is quite likely, on the ground that it has no other
significance whatever.
This opera proves one thing beyond a doubt: That Mozart could have
written beautiful music with the New York Directory for a theme.
Rossini summed up Mozart very properly: "Who is the greatest musician
in the world?" some one asked him. "Beethoven," Rossini answered. "But
what about Mozart?" "Well, you see, Mozart is the _only_ musician in
the world," he answered, allowing of no comparisons! And he is the
only one, yet, to some of us!
That he was a man of the most fascinating temper cannot be doubted,
when one reads his memoirs. He was without any financial judgment. He
could make money, but he couldn't keep it. There is a story
illustrating the dominance of his heart over his head, told in
connection with an offer of patronage from the King of Prussia. At
that time Mozart was Emperor Leopold's musician, and when he went to
Leopold to offer his resignation and take advantage of the better
arrangement which the Prussian King had offered, Leopold said
urgently: "But, Mozart, you surely are not going to forsake me?" "No,
of course not," Mozart answered hastily. "May it please your Majesty,
I shall remain." When his friends asked him if he had not been wise
enough to make some demand to his own advantage at such a time, he
answered in amazement: "Why, who could do such a thing--at such a
time?"
Public-domain text, read in full here on John Shaqi.
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