Operation InterstellarSmith, George O. (George Oliver)
Science
Operation Interstellar
Smith, George O. (George Oliver)
Interstellar communication -- Fiction; Life on other planets -- Fiction; Science fiction
Paul grunted. "Let's not waste time in figuring out what's wrong with
the enemy's burglar alarm," he said. "This is no time to be overly
helpful. You go collect John Stacey and I'll find Nora Phillips and
we'll meet down in the front hallway."
"What gives?"
"Sitting here like a fool doesn't make me happy. I want action. Why
don't we try to get away, Toby. What can we lose?"
"Nothing but some breath. Okay, it's a deal."
Paul went down the stairs cautiously, along the corridor below until
he came to Nora's room, and then without rapping he opened the door and
stole in, closing the door behind him.
"Paul!" she cried. "What--?"
"Collect yourself," grinned Paul. "We're leaving." He did not think
until much later that he had not bothered to knock, nor had he
apologized for bursting in this way. It had come as a natural way,
a normal thing. Modesty, propriety, and convention were only words,
and totally useless commodities when escape from imprisonment looked
possible. And it was also much later before Paul realized that Nora
must have agreed with him, for she wasted no time. In the darkened
room there was a wild flurry of arms, legs, and clothing, a nightgown
dropped carelessly on the floor and trampled as Nora slid a dress over
her head and at the same time tried to fumble her feet into her shoes.
There was the whisk of a hand smoothing cloth over skin, and then a
quick step. Nora bumped into Paul, and clutched at him. He put his arms
around her and held her for a moment, enjoying the warm softness of her
against him.
Then he turned away and led her to the door.
They met Stacey and Morrow in the downstairs hall. "Okay?" he asked in
a hoarse whisper.
"Looks so," said Morrow.
"I don't like it," said Stacey.
"Why?"
"Looks too easy."
"Don't be so everlastingly suspicious," said Nora.
"Oh, I'm not the type to admire the denture of a gift horse," responded
Stacey. "Not until later. So let's get going."
Paul opened the door. "This is it!" he snapped. "Run for it!"
"Wait a minute," objected Stacey. "Not straight. Head left, you two.
We'll go right. Cut a large circle and don't run. Just walk as fast as
you can and be as quiet as you can. It's as dark as the Devil's hip
pocket out there, but sooner or later someone will realize that all is
not well with the Boys at Home. Now!"
"Now!"
They separated. Blind-black outside compared to the lights in the
hallways of the house, Paul and Nora picked their way carefully until
their eyes became adjusted to the dark. Then they could see the dim
lights of the buildings across the plain. They left their former home
and swung wide, angling away from the line between the house and the
ship. Paul paused once, listening, and heard a faint crackle from some
distance; either Morrow or Stacey had stumbled over something.
They were half-way there before any hue-and-cry was raised. Each pair
had gone out in a diamond-shaped course until house and spaceship were
almost a ninety-degree angle apart.
Public-domain text, read in full here on John Shaqi.
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