Lockley grimaced. How did Sattell get up here? And the general in
command of the cordon? More than that, why did they call his name
instead of simply trying to kill him? Why post watchers on the
hillsides if they were anxious to explain and not to murder? How could
they hope to deceive him after Jill....
There was a pause, and then what was evidently considered a decisive
message came. It was Jill's voice, weary and desperate. It said,
"_Please come out and listen! Please come and let them explain
everything. They can do it. I understand and I believe them. It's
true. It's not treason. I--I beg you to come out and let them tell
you why all this has happened...._"
Her voice trailed off. It had trembled. It was tense. It was strained.
And Lockley cursed softly, shaking with rage. Then the first voice
returned, "_Lockley! Lockley! Don't do anything crazy! Everything can
be explained. You'll recognize my voice. You talked to me on the
telephone from Serena._"
This voice repeated, word for word and intonation for intonation,
exactly what it had said before. The other voices followed in the same
order. They were taped.
In Lockley's state of mind, the taping took away all authority from
the voices. Jill, in particular, sounded as she might have if torture
had been used to break her will and force her to say what her captors
wished. She could not put any warning into it, because she could have
been forced to repeat and repeat the message until her captors were
satisfied.
That would all be avenged now. All of it. And Jill would be grateful
to Lockley even if they never saw each other again; grateful for the
monstrous blast that would wipe this place clean of living creatures.
Lockley suddenly saw a way by which his vengeance could be increased
by just a little. It could be made even more satisfying and just.
Hiding under brushwood while the voices tirelessly repeated their
recorded persuasion, he made a very simple device. It switched onto
the instrument he carried. If his hand clenched, it would go on. If
his hand relaxed, it would go on. So if he could get within a hundred
and twenty-five yards of the rocket he could show himself and let them
know what waited for them, and why.
With infinite patience he got to a place almost near the circle of
unarmed guards about the rocket. He waited. The guards were tense.
They did not like trying to protect something with no weapons. They
were jumpy. The endlessly repeated messages booming into the night
frayed their nerves. They were plainly on edge.
Their tenseness made the oldest trick in the world serve Lockley's
purpose. He threw a stone from an especially dark shadow. It struck
and bounced upon another stone, and it created a rustling of brushwood
at a place distant from Lockley. And the unarmed guards plunged for
that place to seize whatever or whoever had made the disturbance.
They were too eager. They stumbled upon each other.
Public-domain text, read in full here on John Shaqi.
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