It has often been said that every feature in the religion of the New World, discovered by Cortez and Pizarro, indicates an origin common to the superstitions of Egypt and Asia. The same solar worship, the same pyramidal monuments, and the same Ophiolatreia distinguish them all. Acosta says "the temple of Vitziliputzli was built of great stones in fashion of snakes tied one to another, and the circuit was called 'the circuit of snakes' because the walls of the enclosure were covered with the figures of snakes. Vitziliputzli held in his right hand a staff cut in the form of a serpent, and the four corners of the ark in which he was seated terminated each with a carved representation of the head of a serpent. From the sides of the god projected the heads of two serpents and his right hand leaned upon a staff like a serpent. The Mexican century was represented by a circle, having the sun in the centre, surrounded by the symbols of the years. The circumference was a serpent twisted into four knots at the cardinal points."[11] The Mexican month was divided into twenty days; the serpent and dragon symbolized two of them. In Mexico there was also a temple dedicated to the God of the Air, and the door of it was formed so as to resemble a serpent's mouth.[12] Amongst other things, Peter Martyr mentions a large serpent-idol at Campeachy, made of stones and bitumen, in the act of devouring a marble lion. When first seen by the Spaniards it was warm with the blood of human victims. "Ancient painting and sculptures abound with evidences of Mexican Ophiolatreia, and prove that there was scarcely a Mexican deity who was not symbolized by a serpent or a dragon. Many deities appear holding serpents in their hands, and small figures of priests are represented with a snake over each head. This reminds us forcibly of the priests of the Egyptian Isis, who are described in sculpture with the sacred asp upon the head and a cone in the left hand. And to confirm the original mutual connexion of all the serpent-worshippers throughout all the world--the Mexican paintings, as well as the Egyptian and Persian hieroglyphics, describe the Ophite Hierogram of the intertwined serpents in almost all its varieties. A very remarkable one occurs in M. Allard's collection of sculptures; in which the dragons forming it have each a man's head in his mouth. The gods of Mexico are frequently pictured fighting with serpents and dragons; and gods, and sometimes men, are represented in conversation with the same loathsome creatures. There is scarcely, indeed, a feature in the mystery of Ophiolatreia which may not be recognised in the Mexican superstitions.