Ophiolatreia: An Account of the Rites and Mysteries Connected with the Origin, Rise, and Development of Serpent Worship in Various Parts of the WorldSellon, Edward
History
Ophiolatreia: An Account of the Rites and Mysteries Connected with the Origin, Rise, and Development of Serpent Worship in Various Parts of the World
Sellon, Edward
Phallicism; Serpent worship
Some legends make Garuda the offspring of Kasyapa and Diti. This
all-prolific dame laid an egg, which, it was predicted, would preserve her
deliverer from some great affliction. After a lapse of five hundred years
Garuda sprung from the egg, flew to the abode of Indra, extinguished the
fire that surrounded it, conquered its guards, the _devatas_, and bore off
the _amrita_ (ambrosia), which enabled him to liberate his captive mother.
A few drops of this immortal beverage falling on the species of grass
called "Kusa," it became eternally consecrated; and the serpents greedily
licking it up so lacerated their tongues with the sharp grass that they
have ever since remained forked; but the boon of eternity was ensured to
them by their thus partaking of the immortal fluid. This cause of snakes
having forked tongues is still popularly in the tales of India attributed
to the above greediness; and their supposed immortality may have
originated in some such stories as these; a small portion of _amrita_, as
in the case of Rahu, would ensure them this boon.
In all mythological language the snake is an emblem of immortality: its
endless figure when its tail is inserted in its mouth, and the annual
renewal of its skin and vigour, afford symbols of continued youth and
eternity; and its supposed medicinal or life-preserving qualities may also
have contributed to the fabled honours of the serpent tribe. In Hindu
mythology serpents are of universal occurence and importance; in some
shape or other they abound in all directions; a similar state of things
prevails in Greece and Egypt. Ingenious and learned authors attribute this
universality of serpent forms to the early and all pervading prevalence of
sin, which, in this identical shape, they tell us, and as indeed we all
know, is as old as the days of our greatest grandmother: thus much as to
its age, when there was but one woman; its prevalence, now there are so
many, this is no place to discuss.
If such writers were to trace the allegories of Sin and Death, and the end
of their empire, they might discover further allusions to the Christian
dispensation in the traditions of the Hindus than have hitherto been
published--Krishna crushing, but not destroying, the type of Sive, has
often been largely discussed. Garuda is also the proverbial, but not the
utter destroyer of serpents, for he spared one, they and their archetype
being, in reference to created beings, eternal. His continual and destined
state of warfare with serpent, a shape mostly assumed by the enemies of
the virtuous incarnations or deified heroes of the Hindus, is a continued
allegory of the conflicts between Vice and Virtue so infinitely
personified. Garuda, at length, appears the coadjutor of all virtuous
sin-subduing efforts, as the vehicle of the chastening and triumphant
party, and conveys him on the wings of the winds to the regions of eternal
day.
CHAPTER XI.
_Mr. Bullock's Exhibition of Objects illustrating Serpent Worship._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account