For example, the literary clique. In Italian life the individual is
strong, the organized group weak; which is a splendid and sane condition
of affairs. In Italian literature, as in the other arts, the group
flourishes disastrously and frequently submerges the individual. Let a
man write a few books that reveal talent, and immediately a group forms
about him, with a cult of its hero and a critical estimate of his work
to which he will thereafter find himself attempting to conform, thus,
hedged about by a wall of literary ideas, growing less and less capable
of an individual interpretation of life itself. Or perhaps there are
three or four men about whom the group forms, either because they
resemble one another in thought or in manner of expression, or perhaps
only because they happen to live in the same city. Then the result is
even more harmful, since the various individual writers also react upon
one another. Witness the young Florentine group--Soffici, Palazzeschi,
Papini, etc.--all once writers of promise, all fallen into premature
decay. Panzini has suffered perceptibly from this kind of thing; lesser
writers have suffered even more. When G. A. Borgese was writing his
first novel, _Rubè_, the reverent clique about him heralded the yet
unfinished book as a masterpiece, the first genuine synthesis of--I
forget what, but the word ‘synthesis’ must certainly have been used.
Any one who has read _Rubè_ is aware that it is very far from being a
masterpiece. That is not Signor Borgese’s fault. What _is_ his fault,
however, and of great detriment to the novel, is his obvious
determination throughout to make it a masterpiece.
Ah, well, cults exist in other countries than Italy. One recalls the
well-known scene in Victor Hugo’s salon, where the Master sat on a kind
of pontifical throne, and uttered occasional maxims to the worshippers
grouped about his feet. ‘Je crois en Dieu,’ he announced once, after a
long silence. Another and reverent silence followed. Then a woman spoke.
‘Chose étrange!’ she murmured. ‘Un dieu qui croit en Dieu.’
Public-domain text, read in full here on John Shaqi.
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