Opium Eating: An Autobiographical Sketch by an HabituateAnonymous
History
Opium Eating: An Autobiographical Sketch by an Habituate
Anonymous
Opium abuse -- United States; United States -- History -- Civil War, 1861-1865 -- Prisoners and prisons
That De Quincey did this maliciously, I do not pretend to state; what I
know of its animus I gather from the paper itself. But I can truly say, in
the language of Julius Hare, "God save all honest men from such foremost
admirers." Whether he wanted to injure Coleridge or not, the result is the
same--he _did_ injure him. I am inclined to believe, however, that De
Quincey's article was well intended by him, but from defective sensibility
his judgment was corrupted; he thought the honey he would infuse into the
gall would annihilate its bitterness and leave the decoction sweet. He was
mistaken. After proving Coleridge to be guilty of robbery, he could not
convince the ordinary mind that he was an honest man. After having
declared him to be guilty of a "large variety of trivial thefts" in
literature, he could not induce people generally to believe him to have
been "entirely original." On De Quincey's hypothesis, Coleridge was a
thief and an honest man, a plagiarist and entirely original, at one and
the same instant. This, ordinary readers would naturally have some
difficulty in swallowing. But De Quincey might have spared himself this
undertaking, and himself and Coleridge its injurious results (as it proved
to be a two-edged sword and cut both ways), by making his early reading in
the "Biographia Literaria" a trifle more extensive. There he would have
seen that the "real and palpable case of plagiarism" was fully met and
anticipated--averted, confounded, and explained; having noticed this, he
might have thought these "trivial thefts" unworthy of mention. However, as
the result stands to-day, Coleridge is a classic, and those who have any
interest whatever in his compositions, being persons generally of some
literary acquirements and judgment, are capable of judging of the
originality and genuineness of his works, as he himself pertinently
remarks, "by better evidence than mere reference to dates."
I subjoin a copy of the prefatory remarks to which De Quincey refers, in
stating that Coleridge, "aware of his coincidence with Shelling, declares
his willingness to acknowledge himself indebted to so great a man in any
case where the truth would allow him to do so," etc. The reader will
perceive that there is no such language in them; but he will see in them a
complete refutation of the charge of plagiarism from Shelling, and an
honorable acknowledgment of his indebtedness to that author.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account