Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"It's Jung," I answered, "who keeps talking about the law of opposites.
The death wish is subjective. But we translate it into its opposite
form--in this case, the objective. We want other people to die--to
suffer--to bear our load--to take our responsibility. We hate. What
did you say about your old folks? Vengeful and persecuting and
parasitic? That's the death wish turned wrong-side-out. Or--take this
pair of opposites. We have applied reason to extending life. So we
have automatically obliged ourselves to apply reason to death. That
is a psychological consequence of administering life--stretching it,
maintaining it--of baby-saving and so on. Only--being egoists--blind
to the basic laws of instinct--we won't kill anybody. Millions of
Russians, maybe, but not one American. It's even against the law for a
person to kill himself, for whatever merciful and laudable a reason. So
what? We insist on our right to save and maintain every life. We also
insist on dodging the resultant duty at the other end of the natural
spectrum: death. The living have no recourse left but to extravert
their death wish. To hate others because of the hatefulness of the trap
they're in."
"How do you work it out?"
"In the better world," I said, "a person who had enjoyed the long
conscious control of his life would feel somewhat responsible for
controlling his death. When he got useless, he would give up. He would
regard it as rational--and as part of that 'greater love' that almost
no man, these days, hath a sign of."
"Voluntary euthanasia?"
"Why not? And if you came a header and couldn't do it for yourself--the
state would do it."
"Do you think," Tom said with asperity, "that the people would permit
anything like that? Or think of it as _idealism_? Why--it's a sin--!"
"Sure. Sin. It's one of the sins that keep the churches full and the
heads and hearts of the folks empty. Vested interest."
"How many people would do it?"
I shrugged. "Couldn't say. You've seen cases. You'll likely witness
another--my own--before long--"
"Good God! I'm sorry--Phil--!"
I laughed and he relaxed--visibly.
"The mass of humanity," he went on after a time, "hasn't that kind of
insight, education, nerve--"
"No. Maybe not. Hasn't--as I'd put it--even that much access to its own
instincts. Doesn't know even that clearly the relationship of ideals to
acts. Of material gains to inner responsibilities. That's the trouble
with the mass of humanity. It decides to use atom bombs--the work of a
few geniuses who, left to themselves, might not."
"Appalling," Tom said.
"Sure. But the moldboard plow is just as deadly as the bomb in the
hands of the common mass. And the implications of plows are much easier
for the common jerk to understand than the implications of nucleonics.
But he doesn't. So why worry about atomic bombs? Merely another aspect
of the same, deep, and ubiquitous nonsense."
We sat awhile.
"What," Tom finally said, "will the better world be like?"
"Woodsy," I answered.
Public-domain text, read in full here on John Shaqi.
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