Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
A degree of doubt was cast upon the Forbisher-Laroche figures in my
subsequent association with Dave, owing to the fact that he quoted
the same authority on so many other matters--the breeding rate of
hamsters, for example, the relative climbing efficiencies of various
kite designs, and the esoteric causes of giddiness. It occurred to me
that "Forbisher-Laroche" might serve my lawyer friend in lieu of the
name of an authority or researcher which he could not call to mind--or
even in lieu of better authority than his own. This, however, was
remarkably good; so the table, even if specious, may be regarded as
sound from the order-of-magnitude standpoint.
Among the nine objections to association with prostitutes were at
least two (Dave said) which could be regarded as obsolete: the dangers
of disease and of pregnancy. Of the remaining seven, only two more
(he claimed) could be regarded as rational by the man of ethical
detachment--one aesthetic; the other, the practical matter of costs.
The rest were mere excursions into "morals"--a contradiction in
itself since, were we to apply any genuine morality to sex and sexual
conduct, we should have to begin by contemplating the field with
simple honesty--a process in which the "Moralistical" objections would
dissolve instanter, so he stated.
Of the two objections worth considering, then, one was the expense--a
matter to be pondered in all deals and negotiations. The other was
that old chestnut which appears in the endless series of candid
books of advice to boys, books advertised as providing "complete sex
enlightenment," books which, in sum, horribly frighten their readers
and leave them, as a rule, incapable of any real enlightenment for the
rest of their lives. "Would you," such books fiercely inquire, "walk
into a cheap hotel, find that the stranger before you had left the tub
filled with his dirty bath water, and immerse yourself in it?" This, in
short, is the _aesthetic_ objection.
It contains certain fallacies. One is the implied idea that sex
relations are equivalent to ablution--that they are designed to
transfer from each individual to the other such foreign matter as may
have accumulated on his or her person. There is the further implication
that such individuals are thereafter unable to cleanse themselves of
the alleged spotting and staining supposedly got in such a fashion.
Carried to its logical conclusion, this thought would force hotels, as
just one example, to discard a bathtub with the checking out of each
guest. Industry could not keep up with such tub-scrapping.
In other words, the question is unfairly put. If cleaning one's self is
to be admitted as a pertinent analogue for love-making, the question
should read, "Would you use the _bathtub_ in a cheap hotel?" And why
necessarily cheap?
"Would you," the interrogator should ask in all equity, "dawdle
voluptuously in the shining, sunken, marble tub of the most gaudy
hostelry on Park Avenue?"
Public-domain text, read in full here on John Shaqi.
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