Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
She was wearing a black dinner dress; black was certainly for her.
Gwen took her hand and kept it and said to me, "Does a beautiful
brunette live on the other side?"
I laughed. "And a platinum blonde across the hall. Just below me
lives--"
"I know," Gwen answered. "Don't tell us."
I carried my glass to the bathroom, rinsed it, and made a highball.
"We met yesterday," I said to Gwen. "She comes from Pasadena." I handed
the drink to Yvonne. "Miss Taylor--is an old friend of an old friend of
mine."
Gwen said, "She knows. She's been listening."
Yvonne wouldn't look at me, then. But she said, "I told her. Do you
mind terribly much? It's your own fault--for unlocking the door."
I ignored that. "Lemme see, then. Just where the hell were we?"
"You were dancing. And I wish you'd go on."
"Not the heat--" I began--"but--"
Gwen came over to my chair. "Come on."
So we danced a little--not very well.
"I wish," Yvonne said, "I could do that step."
I took a good look at her. And I looked back, in my mind, at her
stylized past.
Her gray eyes were wide open and very bright. Otherwise she was
composed. She didn't seem to realize how unprecedented it was for her
not to mind that she had been caught eavesdropping on a man she'd known
for a day who was alone with a girl she did not know at all. She
should have been shocked--shocked as much as if she had suddenly found
she had gone up on the stage and begun ad-libbing a part in a play. But
she wasn't even concerned; she behaved as if she had always been in the
cast.
Maybe she had.
When she said she wished she could do the off-beat step, I stopped
dancing.
"Show her," I said to Gwen.
Gwen looked straight into my eyes--her back to Yvonne. One curved brow
went up, inquiringly. I nodded the least bit.
Gwen let go of me as if I had disappeared. She turned and smiled and
held out her arms.
Yvonne set her drink down carefully and got up and walked to Gwen. They
began dancing--not trying the step--but just dancing. In a moment--in
the same moment--without either of them saying a word--they switched;
Yvonne led Gwen.
I sprawled back on the divan.
They danced for a long time and as they danced it seemed to me Yvonne
relaxed a millimeter at a time--until she moved like a nebula--all gold
and white and black. Gwen just smiled--looking at nothing for a long
time, and finally looking down--an inch or so--into Yvonne's eyes.
When they stopped, Yvonne said softly, "That was wonderful!"
"Like it?"
"I never felt I was doing a rumba before. Even"--she laughed lightly
toward me--"with the eminent professor Wylie."
"He's good," Gwen said. "But you have to be experienced."
"I used to think I was."
"You will be, lamb," Gwen said.
An announcer lengthily discussed various food products. Gwen turned
him down to an indecipherable mutter. When strains of music returned
thinly, Yvonne asked, "Can you tango?"
Gwen nodded.
Public-domain text, read in full here on John Shaqi.
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