Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
Then, on the morning of August 27th, in the city of New York, between
the Empire State Building and Rockefeller Center, a great B took shape
against a cloudless zenith. No Gorgon's head could have paralyzed the
city more effectively. All traffic stopped and most persons who were
physically able descended to the hot streets. Amateurs' telescopes on
Long Island and slot-machine viewers as far away as Eagle Rock Park in
New Jersey were turned upon the pale sky in which Manhattan's buildings
had for so long fastened their lean teeth.
New York's streets solidified. Even ambulances ceased to attempt to
move--their drivers either helping patients out for a look or resigning
themselves to the delivery of D.O.A.'s. Ministers of churches, priests,
and rabbis now made some attempt at excoriation. A band of volunteer
hymn singers fought against the steadily forming BAS at Trinity Church;
censors swung and holy water splashed about St. Pat's. Useless. The
TARDS! filled itself out with no regard for fear or fury, lewd ripostes
or prayers. And all could see that this new comment was less general
than its precursors. Here the sky had not simply engraved an expletive
upon itself but called the most numerous people of any city a vile
name.
At the same time, moreover (9:12 in the morning when the first wraith
of cloud was observed), strange events were occurring elsewhere on
earth. An underling at the near-deserted offices of the AUP, watching
the clatter of a ticker, yelled to his superior some seconds after
9:30, "Hey, chief! They got it in Paris."
"What does it say?"
The youth perplexedly spelled it out. His chief, better educated
and possessed of a greater imagination, envisioned the jam-packed
Champs-Élysées and the azure vault above the Arc de Triomphe inscribed
MERDE, ALORS!
New York was the first city to stampede.
Before the S in BASTARDS! was completed, a loft caught fire in Seventh
Avenue. The engines were unable to reach it, the fire spread, a wall
fell into the crowd, and horrified survivors pressed both north and
south in the thoroughfare, screaming. Their hysteria went ahead of them
and, since the neck-craning throngs could not know the cause of it,
they interpreted the oncoming roar in the wildest fashions. They, also,
turned to run. Central Park furnished a place in which one-half of this
tumultuous and trampling herd was able to spread out and regain some
composure, though it had left the streets behind dotted with the maimed
and slain. There was no sizable park to the south, however, and those
who took that direction (save for a few thousands who sought shelter
in the Pennsylvania Station) built up an avalanche of humanity which
pelted and thundered clear to the Battery, itself its own Juggernaut.
Public-domain text, read in full here on John Shaqi.
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