Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
I skipped that one, too. It was no time to argue that Hat's, while it
had a few dim facets of one sort or another, was in my opinion (or had
been, anyhow)--rather enchanting. A kindlier spot than many a hearth or
any city street.
"What did Hat say?"
"Ye gods! She talked. She talked the grimmest bunch of obscene
sophistries I ever heard in my life! She tried to get me drunk! She
even tried to get one of the girls to--entertain me!"
"It never passed through your cold, reasoning, scientific cranium that
perhaps she was trying to be decent to you?"
"_Decent!_"
"Did she know where Marcia was?"
"If she did--she wasn't saying. She said she had no idea on earth.
Hadn't heard from her for months. Or seen her--naturally. I begged
her--beseeched her--to give me any useful address. Any name. Any scrap
of a suggestion--"
I picked up the phone. After ringing me, the Astolat switchboard
operator had fallen back to sleep and I listened to the buzz for a long
while before she plugged in--irritably. The number I gave wasn't in the
book. But Hattie wouldn't be asleep--yet. Not unless she'd changed.
Viola answered and Hattie came on in a moment. "Hello, Phil. What's
cooking? You and Gwen quarrel?"
Since waking, I hadn't thought about Gwen--or Yvonne. The question
startled me. "Nope," I said. "Gwen, incidentally, has--has gone out
for a bit with a friend of mine. Nice gal, Gwen. It's about my nephew,
Paul."
"Oh. Is he there?"
"Yeah."
"Phil, that lad's in very bad shape."
"Yeah."
"I'm serious. I know men. He's apt to do--anything!"
"Yeah. Maybe so. Look. You don't have any ideas about Marcia--that
you'd give me, but not him?"
"Too many!"
"I don't understand."
"I couldn't very well give Paul the names and addresses of all the boys
who have liked her, could I? In the shape he's in--he'd rout out God
Almighty, or run a one-man posse through hell."
"Yeah."
"Phil. He shouldn't see her now--even if I knew where she was--and I
haven't a single good idea about that. Just--lots of possibilities. I
don't know what she'd do--I doubt if she'd do anything violent--but she
has a right to be wherever she wants, hasn't she?"
"Of course. I just thought--if you did have any hunches--he's sitting
here chewing the rug--"
Hattie sighed. "Old enough to do better! Maybe he's a great
physicist--but, believe me, he's in kindergarten on women! I tried
to tell him so--gently. But he just sat there looking wilder than a
priest trapped in the ladies' can! If I hear anything tomorrow, Phil,
I'll give you a ring. If I were you--I'd slip Paul a Mickey Finn, or
something, to cool him down."
I thanked her.
She told me she was glad I liked Gwen and I said again that I thought
Gwen was a good deal of damsel and I hung up.
"Nothing?" Paul had been on his chair-edge.
I shook my head. "Hattie's calm about it--and she really knows the
girl."
"Really knows Marcia? That bat-faced old strumpet? The hell she does!"
"Okay," I said. "Okay."
"Who's Gwen?"
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