Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
My head ached. Vague pains beset my body--squirting about mysteriously
from neck to gut to ankle and back again by way of knee and pelvis and
teeth. My tongue burned--dry and yet sticky--inflamed and evil-tasting
to itself--the tongue of us millions who sedulously obey the cigarette
advertising. (And just possibly the throat of some of us, too, I
thought wincingly.) Idiot infantilism, scalding oral eros, obsession,
compulsion, tobacco! I smoked on defiantly, wretchedly. The jiffy
coffee lay in my stomach like a solid and the heat of it ran from my
pores.
I stared at my body--the wens and scars and indurations and red
blots--the warts and excrescences and moles--the minor tumors that are
our common response to age and attrition--the crinkling paper of my
skin--the sun-tan that reflected from a mirror like youth itself but
that, at chin-length, lost its satin and was seen to be marched and
counter-marched with freckles and a rash of prickly heat. I surveyed
the expanded, slack viscera beneath an irreducible fat that slid when
I turned, like a hot-water bottle under my flabby epidermis. I noticed
the cord inside my bent elbow, standing out like an old man's now,
and poorly covered with a crêpy mantle that lacked elasticity--the
time-shrunk backs of my hands--my toes, warped out of alignment, marked
and marred with the miles and with the leather boxes we wear--their
nails, turned in, split, chitinous--small, magenta lace of erupted
capillaries--shine and scale on my shins--myself: waxwork--worn
battlefield--warrant of decay, incipient cadaver.
I did not need to see my face.
Fatigue dwelt in me always, now. Oh--(barring such incidents in a
single one of these tired cells as neoplasm, of course)--I would have
exhibited my inordinate energy, my vitality, my apparent arrestation
of age for another ten years or twenty or thirty--I might have been
an agile old man, supple and good at games (with suitable allowance
for the years) whose eyes never clouded, whose hair never fell, diving
off tall dolphins to amuse my grandchildren and dancing gracefully
with Ricky to the applause of other septagenarians and the infinite
boredom of teen-agers. But I was old already--scribbled with the
nasty information of years, apprised of slinking hurts, debilities,
transient toxicities and nauseas that would increase and increase and
increase--or would have done so except for that one, rambunctious cell.
Who wants to be old?
What man, in his so-called prime, fails to note his coming scenery--the
bandaged varicosities, the braces, the cut bunions, the scarification
and bloodless horn, the smells and tastes of himself, the thickening
spectacles, the hearing aids, the pills and petit prostheses, the
gouty overpall, the migraine and vertigo, rheum, sour burp, dyspnoeia,
heart-kick, cracking, and the myriad painful impediments of urination,
defecation, respiration, transpiration, the organic wheeze, the gradual
invasion of death?
He wants to be old who accepts it.
Public-domain text, read in full here on John Shaqi.
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