Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"Is this Phil Wylie?" It was a man's voice--bland, on the booster side.
"Yo." I was not very enthusiastic about being Phil Wylie.
"This is Socker Melton. Friend of your father. He told me to look you
up, here--and I've tried a time or two before now. Glad to catch you
in. May I come up?"
What do you do? I told him I was working hard--on a rush operation--but
to come up anyhow.
Then I raged around the sitting room for a bit.
Christ badger every old friend of the family!
The oaf's knock was pompous. Bonk and pause, bonk and pause, bonk.
Like the pass-signal to a kid's shanty.
I opened the door, being careful to cling to the knob.
My dimmest view was justified.
Socker Melton was a big chum--sixty-two or -three and about two-hundred
and twenty-five. He had a face that would have been square if he'd
sacrificed his extra chin--large, blue, eager-beaver eyes--a babyish
snub nose--and a rather thick mouth, not very clearly defined; but
there was nothing repulsive in the ensemble--he looked like a star
Buick salesman. He wore--maybe I should say sported, since he probably
thought of it that way--a white flannel suit of a light weight and he
carried a panama hat, the sweatband of which was earning its keep. A
poor day for those big boys and I felt sorry for him. His clerical
collar was doing its best to stand up for Jesus--but there were folds
in it and his black dickey was mussed.
I propped the door open.
He inventoried the place after a passing gander at me. You could see
that he liked nice things--and the Astolat is well heeled. His eye
rested especially on some mirror-backed hanging shelves.
"I hate to intrude like this--"
"Any friend of pop's--" I said.
He gave the panama a scale--to show me he was an informal guy like
me--and dropped into one of my chairs. The thing squeaked hard and
braced itself. I figured to be charming for about ten minutes.
I'm a sucker for people who get to see me, anyway. I like most
people--as individuals, to begin with; and although I do what I
can--and the family does what it can--to keep the more extraverted
oddities from jimmying doors and peering through bedroom windows, I
spend a God-awful amount of time chitchatting with visiting strangers
of all sorts.
The chair he'd taken was in reach of my MS, so he reached for it. It is
possible that he was trying to adjust to the fact that I was wearing
only a pair of shorts.
"Sounds amusing," he said, after reading a few lines.
That was what Gwen had said the night before. I was glad to see the
Cloth in agreement with the professionally unclad. Competent magazine
fiction should appeal to all tastes.
"Pleased that you think so."
I told myself that I had no right to be irritated at the preacher's
patronizing tone, or at his unasking and uninvited reading of my
manuscript. After all, when artists paint in public places, people feel
free to look over their shoulders.
"I'm the rector of St. Shadows, over on Park," he said. "But don't hold
that against me."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account