Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
I shrugged. "The hell with it! If we had understood science and if we
had believed in freedom we would have been willing, the minute the
problem appeared, to fight for both--because they're one. We would
not have permitted any bleak tyranny to interfere with the world-wide
course of knowledge and the existence of our freedom."
"You're asking a good deal."
"I ask nothing. I merely point out that the fear of holocaust has been
made permanent by our fearful failure to act. Freedom throttled will
be difficult to revive. The habit of intellectual tyranny is already
seeping into the pores of a world destined to be more panicky each year
until either freedom of knowledge is restored or the far more likely
chaos ensues. After chaos will come the regimentation, by opportunists,
of a world that will have lost its grip on liberty. We bought a little
time at the cost of all the values our ancestors piled up for us in the
ages. It is a cheapskate civilization."
The Reverend Socker Melton suddenly chuckled. He had, in the midst of
at least mild anxiety, hit on some straw, some philosophical prop.
"Don't take it so hard! You sound as if you felt responsible for all
the woes of man!"
"Don't you?"
"Good Lord! Certainly not!"
"You are a man, though."
"Just one man."
"Just one. But if you had access to instinct, you might realize that
each one, to the degree he is aware, is all men."
"A cold, distant, impersonal idea, I must say!"
"The hell it is! The idea I'm putting forward involves being and acting
what instinct orders in us--and the constant sense of that process. It
relates me to every man--to every king and statesman and politician
and movie queen and carpenter and garbage man--to every creature that
walks and flies and swims and crawls--and to the sea, the setting
sun, the stars. I see them all and I find in them the response that
rises from being related to them. I consider them in my cortex--but
my God consists also in _feeling_ them. I do not stumble about in
schisms and dichotomies. An infinite number of aspects of life which
seem antithetical to most people seem merely two manifestations of one
awareness to me. You're the kind of fellow, reverend, I bet, who goes
around saying, like Will Rogers, that you never met a man you didn't
like. I can buy that--and still know, besides, I never met a man I did
like altogether, including me. I can say, there was never a moment when
I altogether liked myself, or disliked. Warm sentiments pervade my
coldest thoughts. Heaven and hell are here in this one room.
Public-domain text, read in full here on John Shaqi.
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