Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"I gave him some lessons in quantum theory, myself," Paul continued.
"Rotten student. Wants to know the final formulation and what it
means--and detests to brush up his calculus first. He can do magic
tricks, too--earned his high school pin money that way. He used to spin
ropes--jump through 'em. When I was a very small kid, I looked forward
to seeing him. Like a one-man circus. Then I caught on--at about four
years old. Uncle Phil was in kindergarten in about every subject there
was. Never got any farther. Just took different primary courses every
year."
"In a minute," I said, "I'll leave you guys to your libel and go back
to my serial. Somebody taught me how to write fiction, along there
someplace--"
Paul grinned and said, "_Touché_--a little."
I felt better than I had all weekend. Paul surely would calm down with
Yvonne. And she wasn't going to loiter with Gwen that evening.
It left me with nothing to worry about except a no longer very sore
spot in my throat--and with no emotion to grapple--except a feeling of
being lonelier than God.
I went back to my room and turned the lights on bright and sat down and
looked at the roses Dave had sent.
They were my flowers-for-the-living and, being alive, they should be
appreciated.
There they stood--with lighter green stems and leaves than most roses
and perilous, pale-green thorns. The blooms weren't quite full blown,
in spite of the heat, and they were as large as any I'd ever seen--as
long as my fingers. The many lamps in the room highlighted the curved
outer edges of the flowers and left only the deep, inner shadows. The
petals were as voluptuous as a woman's skin; they seemed to glow, like
an aniline dye in ultraviolet rays. A slightly sharp perfume filled
the room--a mnemonic of things that could not be materialized, of tea
roses in childhood gardens and people who had been nice to you and died
a long time ago. There they stood--stiff and radiant and hopelessly
beautiful.
I let myself feel them--feel them the way you let yourself feel when
the concert hall goes dark and the baton makes its first, swift oval.
They came from hothouses.
I thought of gardens.
All the gardens I had made or cared about.
Public-domain text, read in full here on John Shaqi.
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