Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
For can they not, all of them, stinking of their sweat and overswarming
with diseased intent, look east across their river and see a pattern
of illumination that would have made Nero hang himself with envy and
Rameses change his gods?
Manhattan!
They look. Great Heaven, they never see!
Directly below, on the sidewalk, a woman went one by one through the
circular pools of street light. I could hear her heels crossing my life
and every time she reached a new radiant circle I could see she had
golden hair. The very beasts in the river ceased boasting to let her
print the small, enchanting sound of woman's passage on the attentive
dark. Her dress was green.
I soon took my leave.
7
My double bed was a sea and I was its derelict.
I read an article by a steelmaker that tish-pished those who are
concerned over the possible exhaustion of America's iron ore. Run
out in twenty years? this tycoon asked. Ridiculous! There is iron
enough for a century and no corporation is anxious at all, where such
extensive futures can be seen.
I gave this oaf a hundred years to come to his senses in the third
generation.
It was an insufficient period. The iron ran out and he still
foraged--a ghost rummaging in the raped premises of his
great-great-grandchildren.
Go rue the deserts man's already made!
Paul didn't come.
I read some poetry I could not understand in _Harper's_.
I got out the medical book on cancer and looked at throats for a while.
I took the Gideon Bible from the bureau drawer and read the Thirteenth
Chapter of First Corinthians.
Then Psalms, awhile.
Then Luke, awhile.
I went into my bathroom and swallowed one of Tom's capsules.
8
It could have been morning; it could have been night; the light on
the airfield was such as seeps across the northern pole in winter.
Engines hiccupped and caught fire within themselves. Gouts of blue
fire streamed from their steel nostrils and human figures warily aimed
extinguishers as they crouched under the great wings. One B-29--a
special craft--sucked up its ladder.
"Good luck!" a thin voice called.
The slam of a hatch replied. The plane snorted, bellowed, vibrated
against its chocks, and lurched about. Like a house on casters--like a
house-sized aluminum insect, it moved in the opalescent murk.
There was a pause.
At Flight Control, the ground officers of the Twentieth Air Force made
a last check. It was not sergeant's work, or lieutenant's. Brass looked
at the weather maps--high brass read the bulletins, squinted into
the instruments, followed the meterological balloons, talked through
telephones. Anxious brass at the hangar interrogated the mechs--studied
the quadruple checks, the four-colored V's ranged after a list of
thirteen hundred and eleven critical parts of a very heavy bomber. In
the officers' mess, captains, young majors, young lieutenant colonels
filled their trays, walked to the tables, sat, listened while the juke
box sang--
My mammy done tole me--
Public-domain text, read in full here on John Shaqi.
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