Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
Colonel Calm glanced at Mr. Learned, the lone journalist permitted
to go along--to write the eyewitness account. Mr. Learned sat on a
parachute, his spectacles aslant, his hair awry, lost sleep whitewashed
on his sharp countenance. His knees made a desk for an aluminum
hospital chart board and on this, on yellow paper, using a pencil of a
soft sort with which his pockets bulged, he scribbled. Once, he hitched
at the collar of his unfamiliar uniform. A moment later, he glanced up.
He smiled.
Colonel Calm nodded and scrambled into the tunnel that ran to the rear
of his ship.
It was a journey he detested.
The passageway--a straight, metal intestine lined with cloth--traversed
the bomb bay and was of a diameter sufficient to contain one crawling
man. If a pressurized B-29 were hit badly--or if it blew a blister--a
man in the tunnel would be rammed through it by compressed air like a
projectile and hurled against a bulkhead--head first, or feet first--at
the speed of a hundred and sixty miles an hour.
The colonel crawled--gnawed by claustrophobia. He pushed his chute
ahead in the dim tube--because that was regulations. He wished he had
chosen to drag it, instead. The thing stuck. He lunged up over it and
his ribs came in contact with the curved top of the tunnel. He was
half-jammed there. Sweat broke out on him--he tried to breathe--his
ribs hurt. He could yell--they could get a rope around his foot and
haul him back. He inched clear of the chute--pushed it forward, and
went on more slowly, struggling now with the afreets of panic--putting
them down like mutineers, savagely.
Now he thought of the bomb bay--the oblong maw atop which he fought
his way. Big as a freight car. Big as two garages set end to end. Big
enough to hold--how many horses? A dozen? And what did it contain?
His sweat dried up. His skin pimpled. Coldness seemed to flush the
tube as coldness flushes a belly into which ice water has been gulped.
Was the air here invisibly alive? Did uranium exude invisible, lethal
rays--like radium? Or did it lie inert--in uncritical masses of unknown
sizes (but not big)--waiting for union?
He went on.
When, at last, his head appeared at the far end of the tunnel he wore,
again, his placid fighting smile.
The top CFC man dawdled in his swivel chair. The two blister gunners
nodded and looked back into the neutral nothing of their provinces. The
third chap smiled softly.
Colonel Calm came down the ladder, stretched, picked up his chute
familiarly, and went on to the radar room. It was, he thought, glancing
back at the tunnel opening, hardly bigger than a torpedo tube. The
craft in many ways resembled a submarine, when you thought about it.
There were four men in the radar room. Two at tables. One squatting,
rocking with the plane's slight motion; and one stretched on the Army
cot. He saw the colonel.
"'Shun!" he bawled.
Public-domain text, read in full here on John Shaqi.
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