Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
(Since when had freedom stooped to tap the phones of prostitutes?
What excellence of police was this, in a world community where hardly
an honest man or woman remained, where half a billion people slowly
starved, where thieves and cheats were commoner than spots of oil or
horse-dung in streets? And how the cops enwhored Lady Liberty when they
invaded the life of that busy lass! Truly dirty deeds bought their own
big privacies: corporations burned their books and politicians lost
their records. Mere tarts, however, had their phones tapped and their
words recorded. What a splendid free nation I had come to live in! With
what marvels of detective science!)
Well--not for long.
My weary effort would soon peter out.
Maybe then I could go and watch Kipling splash on his big-league canvas
with brushes of comet's hair.
I pondered for a while over those hairy comets.
Well. All of us had short arms. We all reached too far.
I dialed Dave.
Veto said he was asleep and would call me when he woke.
When will Monday come?
Never?
Why be impatient? Isn't it better to not-know?
Not for Joe! No, no, no.
Finally, I got my chassis, frame, machine, chemical factory, over to
the bridge table and, though my pilot was still missing, I began to fly
better on my iron mike.
(Isn't it great to be up-to-date?)
At noon, the phone screamed.
"Hi, boy!"
"Hey. Thanks."
(I should have used those roses in my _crise_. They were there. I
wasn't.)
Dave took a fraction of a second to decide not to say what he had been
about to say. Perhaps that he was afraid I'd think him foolish.
I looked at the flowers and the pilot was sitting amongst them.
"Any news of our Paul?" he asked.
"My agent lost the trail around midnight."
"I've got bulletins up to three A.M.--last time he called. He'd been to
Madam Blaine's--and she'd given him the runaround."
"Marcia's there," I said.
"I know. I called after that and Hattie put her on. Rough gal."
"Yeah."
"In a bad mood. Wanted me to come up."
"I went there and caught her act, personally."
Dave said, "I honest-to-God didn't think there was any need of putting
a tail on the lad. Maybe I should have. Now what?"
"Now we wait till he gets hungry, sleepy, or runs out of dough."
"I'll keep you posted from my end. I'll send Charlie over to Paul's
apartment again. Do a couple of other things. And stop by later."
"If he checks with me, I'll let you know."
"Good. I've got a meeting with my moguls right after lunch. They
are trying to dream up a cycle. Yesterday--they ran through the
Frankenstein possibilities and then got in your territory--animal
horror. You should have been there! You would have yorked parade
floats."
"You might suggest phallic worship. Remember? They could put it in the
past. You know, Mu, Atlantis, Lemuria, Ancient Rome. I doubt if the
censors would gather what it was. Think it was educational. How about a
documentary of Pompeii?"
Public-domain text, read in full here on John Shaqi.
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