Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
I shook my head. "Look at you. The scientific description of your
situation on this bloody shelf is known to tens of thousands. But not
to you. You're the victim of old lies. You're about to toss yourself
into the late afternoon because you were so busy learning new truths
in physics that you never bothered to dispel the old lies in your
psychology. You're a damned anachronism! A burnt offering to Woman.
You're a puppet of a lot of myths and legends and poor child training.
You might as well be a pagan male virgin--offered up to some fat,
female goddess by your tribe. A man that isn't a man. A scientist from
the neck up--and a howling heathen from the waist down. Unaware of the
fact. A pretty picture!"
"I suppose," he said with the utmost bitterness, "that I would be
sitting in your apartment chortling happily--if I had ideals like
yours. The scientific integrity of a whore-master."
"My ideals," I said, "at least keep a mediocre author plugging to the
end. Yours, apparently won't save one of the world's top mathematicians
from one lousy pair of legs."
"That's all you feel about a woman!"
"That's all _you_ feel! Fate took away your candy and now you won't
play. It was public candy, anyhow--and only good for all the boys. You
wouldn't face that. But if you want to love women realistically, that's
just what you'll have to face, among a lot of other things. Love lies
a long way beyond Marcia's behavior." I tried to grin at him. "I'm
supposed to be a psychologist, myself. There should be a way by which
I could persuade what's left of your senses to stop playing Prometheus
and get off your rock."
"Outsmart me?"
"Shouldn't I be able? If my dope's any good?"
"It isn't any good, though. Just a flashy bunch of extrapolation and
phony biology. You're no real philosopher, Phil."
"Maybe not. Still--it isn't my product. It's Jung's. He's something of
a brain."
"Horse manure."
"There is plenty of it down there in the street," I said. "If you want
to add yourself--by a method that will make you indistinguishable from
the rest of it--"
He doubled up his fist and smacked the concrete. "Can't you see I'm
tormented--?"
I shook my head a few times. "Yeah. Everybody can--for blocks."
He began to sob. I inched up from the sill and braced myself. All it
would take was about one tear-blinded second--
He must have heard something on the floor below because he stopped
gasping, suddenly, and leaned way out. Then he began hitching along the
wall. He hitched right past me--his eyes on mine the whole way--and I
have never seen any eyes exactly like that, before. They knew what was
going on behind them--and didn't know. They weren't maniacal--but they
were not sane, either.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account