Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
I stacked the many pages, scribbled a note to Harold, and phoned to
his office that the manuscript would be ready for his messenger at the
desk. A few merry hours and a little excitement for the profligate, dun
days of my fellow citizens, God bless and pity them--a vicarious trip
beyond the confines of mass production--a description of the flavor of
a few of the trees they had cut down.
Bill came for it and carried it to the lobby.
Now, my clothes.
My costume.
Everything was finished
with the possible exception of me.
Rain fell all around the marquee--in a wet, funereal fringe.
The doorman stood in the street beneath his great umbrella, whistling.
Two old ladies waited impatiently, jostling each other and batting
annoyedly at their pocketbooks. They seemed to expect the whistle to
conjure up a yellow taxi from the fourth dimension and because it took
Al five minutes to hail an empty, the elder of the two put back her
dime in her purse and snapped it with the righteous authoritative sound
of a Norn's shears.
"Let's go to Gimbel's first," she said.
But the other wanted to start in Lord and Taylor's.
They whisked away debating this.
And I went soon--through the leaden atmosphere, on the black and
slippery pavement.
The people were there in the office ahead of me.
Mr. So-and-so. Mrs. So-and-so. Miss So-and-so.
The nurse was there, too.
It was where we had come in. Where we all do. Where we leave.
I sat, batting the drops from my trouser cuffs, smelling the damp
feathers of the anxious poultry.
I found my magazine.
At last
"Mr. Wylie."
It was still a different doctor--a plump little man wearing glasses
which took the radiance of his floor lamps as a shield so I could not
see his eyes. His neutral hair was cut as short and even as fur.
"I'm glad to make your acquaintance," he said. "Have a cigarette. I've
read your books."
I took his cigarette. Inauspicious token.
The condemned man smoked a hearty breakfast.
"Not all of us physicians deserve such a keel-hauling." He laughed at
the way I'd rubbed the nose of his trade in its sins and pomposities.
This was to show me his nose was immaculate.
"Sure."
He lighted his own and smoked the way doctors often do--like schoolkids
with Cubebs.
"Personally, I think it's a shame a man with ability like yours for
putting words together should get mixed up in this Jungian stuff."
The place had been done by a decorator--a decorator who saw a surgeon's
waiting room as something soothing in ivories and sepia and faint gold.
And putting words together is just a trick, too; it doesn't involve
knowledge or sense--just lucky knack.
I cut a smile in my face for him. "Talk it over, sometime," I said.
He smirked interest in himself. "I'm a sort of cross between a Freudian
and a semanticist, Wylie. What do you think of semantics?"
"The poets understood it before Korzybski."
"Very good! Very! Still--"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account