Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
I was getting used to the process.
I should exult--
deliver myself of some noble message, immediately.
I have nothing to offer you but the Four Biles: blood and sweat and
tears and W.C.
A doorman appeared from behind a fern that had been handed down from
Pharaoh.
"Something funny, Mac?"
"Not very. It's just that I've lost my mind."
"People have lost everything else in this damned hall!"
He went away.
Out in back, I suppose he had a boat to ferry people across the Styx.
Soon I stumbled to the skirling thoroughfare and waved at cabs until
one stopped.
Or maybe it was a hearse.
Or maybe it was a singsong boat plying in the rain alongside the
doorman's draped dinghy.
Certainly it was occupied by a multitude of people, many of them dead
and many of them trollops.
Want Immortal Life?
Want me?
My reaction would come--next week--next month--never.
I'd already had it.
Since Thursday, I had been consumed by my reaction.
This was robust information.
My heart resumed its job.
The infinite, posterior brain relaxed.
The small, frontal analogue took sensible direction.
Our house in Florida would go on building now--for us. The
flower-filled patio and the white roof with bunting vines abloom--the
cypress bedroom up among the branches of live oaks, melaleucas, orchid
trees, and sweet frangipanis--the workroom with books all around, a
raised fireplace and a rail to put my feet on while someday, perhaps, I
marked the typed pages of the long-projected Explanation. I could write
it. I could devote all my time to it: twenty-four thousand dollars were
going--not into my estate--but my account.
I spun the Astolat's revolving door.
Ricky stood there--bright omen and good harbinger! Prayer answered
and that best conduct I am capable of, rewarded. She wore a violet
suit to match the strangest tint of her bejeweled gaze. She wore a hat
with a violet feather to joust adversity and make the place for joy.
Raindust glittered in her dark curls and the silver in her curls. She
was smiling as she signed the register. How much she smiles!
She saw me.
"Darling!"
We kissed casually. We always do. Perhaps we are a little
self-conscious in public and this may be because we are not, when we
are alone with each other.
I thought she was there in response to the mute messages of the
weekend. To go back with me if I wanted to go back--to stay if I wanted
to stay. Possibly to shop for a day. But suddenly I could sense the
wrongness of that.
"I decided I better fly down to see the doctor," Ricky said. "You won't
mind waiting over another day?"
"What's the matter?"
You would have to know Ricky to know all that made up her expression,
then. In her eyes was the way she felt about herself, about me; her
mouth spoke of courage. "I'm afraid the undulant fever's back."
"No. Please God, no!"
"I think I ought to be checked. The past few days, I've been running a
temperature. And the old megrims have begun."
She smiled again.
It was one of her masterpieces.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account