Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"I do not. I think you should sit down and face the fact that science
is precisely as hypocritical as religion--essentially no different
from it--hamstrung in the opposite tendon by the same egotistical
means. Sinful--call it. Guilty. The scientist can see the lack of logic
in religion--so he rules it out. He doesn't see the import of its
universal existence. The religious man can see that physical science
offers precisely nothing of value to his inner sensibilities--but
fails to see the meaning of logic. So he neglects to learn science and
applies logic only when it flushes his toilet or eradicates his foes.
You're both apes."
Paul swallowed the last of his ice. For a moment he sat without
speaking, the reflected sunlight softening his sharp features. Then
he said, "I hate to think anybody understands anything I don't. And I
strongly suspect you do."
"I strongly know I damned well do."
There was another pause. Paul pulled his nose. He drew a breath to
speak--and gave up the impulse. His eyes turned inward. Little by
little, his limbs sagged. An expression of the utmost melancholy
passed like a shadow over his face and was followed by lines of
resolution--lines I did not like because, visible in them, was
conflict--unacknowledged discontent mixed with unknown resolve.
"I'm in a terrible mess, Phil."
"Aren't we--and so forth?"
"I want to quit."
"The Lab?"
He nodded. "There is something positively bestial--in the worst
sense--about going any further with schemes to turn physical theory
into mere implements of death."
"Instinct coming to your rescue. I thought you liked the work?"
"I did. As long as it was a series of problems. Now--it's getting to be
a cold choice of means for engineering murder. That's no fun. It's like
spending all your time figuring out how to destroy your own home--after
you've already hit on half a dozen nifty ways."
"Why not quit, then?"
"Brink--for one. I like the old guy. I'm indispensable to him--I at
least pretend. And I feel loyal."
"Talk it over with him."
"No use. He's got the idea that he's engaged in some sort of holy
mission--a personal war against all tyranny, right or left. That he,
and we, and guys like us, must keep out in front--from the weapons
standpoint--until every tyrant's done for."
"Tyranny, Paul, isn't a gent. It's something inside everybody."
He drew a long, sighing breath and abandoned the subject. Soon, he
grinned at me. "Phil, I came as near praying you'd be in town today as
I get to prayer. When the telephone operator put me through--I like to
fainted with gratitude."
"How much," I asked caustically, "do you want to borrow?" Then I
wondered if I ought to lend anybody more money.
He laughed. "Money, a guy like me can always use. Someday, though, I'll
take time out and invent a quicker way to make ice cubes, or a better
zipper, and get rich and pay you back. I keep a record of the debt on a
letter I got from Fermi--a cherished possession."
Public-domain text, read in full here on John Shaqi.
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