Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
Too many people, for one thing,
when they get to dying,
want to top Jesus.
Wanting that,
inevitably,
they want to kill as many others as possible
by Christlike torture--
forgetting that even He
had his legs broken
as a method of mercy killing.
My apologies, then, for not entering this note sooner.
I sat at the window and I could have pulled out my own hair, or wept,
(or roared with laughter) on account of Paul.
I knew Paul pretty well, and loved him.
And I did not believe he was enough of a realist or a humorist to marry
a harlot and prosper in his soul.
Whoever she was, she would eat him away altogether, or eat away years
of him. When he found himself out--that he could not accept himself
with her--it might be too late. He was stubborn. The ordeal would
continue--brave front and eroding guts. What should a man do?
_I am not my brother's keeper._
How often that wretched phrase has been used as the alibi for vicious
neglect!
How rarely has it served in the intended sense. It is but a warning
to Peeping Toms, to Meddlesome Matties and Interfering In-Laws,
Overweening Do-gooders, Paul Prys, the Rabble of the Self-righteous.
Would God the Peepul understood the Words of Jesus had one meaning,
always, and often the opposite of the convenient, accepted
interpretation; that their Christ appreciated how nothing can be
truly said of the Father that does not make a suitable apothegm for
Beelzebub!
Who asked them to _interpret_, anyway?
He told them to _act_.
_I am not my brother's keeper._
The Holy Writ that John Sumner never comprehended, or Anthony Comstock,
old Cotton Mather, and a dozen billion more.
What man, seeing even a pig caught under a fence, does not pull it out,
although it might be the Sabbath?
Which is germane to the circumstance?
What of the Good Samaritan?
I left the sunset hanging over the gray composite of the roofs--the
willow trees in penthouse gardens, the chimneypots that twirled with
supper cooking, and the fly-eyed walls, the thousand-lenses, the
bloodshot windows staring at New Jersey--staring from the square sides
of skyscrapers that towered around me in stiff, unplanned attention,
waiting for night, waiting with God knew what stony thoughts and
brickish resignation--doubtless for Soviet rockets.
I pushed down my shorts, kicked them onto a bed as Paul had kicked his
jacket, and turned on the water in the tub.
I lay down there, donning the warm garment gradually, the wet, the
clean, the only other that fits as perfectly as the grave. I turned
off the tap with my foot. I looked at my skin, which was still fairly
smooth, for all the long time I'd worn it, weathered it, and given it
unnatural chores of excretion.
Good-bye to All That. Good-bye Mr. Chips. And Miss Chippies.
Public-domain text, read in full here on John Shaqi.
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