Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
In this connection, one trifle should be mentioned which on looking
over these minutes, I see I haven't got to.
It crossed my mind at this point, as it had earlier in the day.
I walked over and sat on the arm of a wing chair, staring out at the
hot evening. New York often has a marine sky to which, being a seaport,
it is entitled. That night the clouds were low and small--evenly spaced
and of a size. When the sun hit them, it turned them several different
colors--a dappled effect, like a peacock's tail in which orange, not
iridescent blue-green, was the predominating tinge. It was getting on
toward seven.
I thought about my dollar-strewing habits and the fact that I probably
wouldn't much reduce what funds I'd stored up myself and reluctantly
but methodically amassed in the coffers of the Connecticut General Life
Insurance Company.
Tom-the-doctor had said the damned excrescence in my craw, if mortal,
wouldn't be operable. That meant I wouldn't be lying around in some
hospital, like so many of them, at umpteen bucks a day, while they
slowly took out my neck. It meant, so far as I was concerned, that a
day would come along when I would make up my mind the books no longer
balanced. A day, that is, when pain or mechanical difficulties made it
impossible to proceed with the prose. When I couldn't write any more.
That day, I would have completed my best effort to get my affairs
in order. I'd have seen the people I loved--and seen them before it
was an ordeal for them to see me. I do not have a horror--but a kind
of intellectual rage--over meaningless, agonizing, nonproductive,
lingering existence. In my life, I've seen a great deal of it. I have
seen people who were a stinking nursing problem twenty-four hours a
day--who were afflicted with fantastic agony besides--and who implored
their relatives, friends, and physicians to put them out of their
misery--but who lived in that state for a couple of years.
By taking a reasonable amount of thought, and through a certain
amount of luck, I have avoided several of the pitfalls into which man
persistently topples. Into others, I've all but pitched myself. But
this was one I intended to skip. In the kit I carry for boat trips is
a hypodermic syringe and a thin little bottle of morphine tablets.
I've never had to use them on the broken leg, the gasoline burn, the
leader-wire cut, for which they are always ready. But, when the day
came which, in my judgment, would turn the balance of life, I knew
precisely what I would do. I had always known, even before I had owned
such gentle means.
You dissolve all the tablets--five grains--and fill the barrel of the
hypo. You jab yourself and push.
Simple.
The reader of these notes may therefore spare himself--as I spared
myself--as all human beings should be spared--the anticipation of death
dragged out excruciatingly by the miracles of science.
That is one of the items on the gigantic ledger in which are gathered
those details that prove modern man is mad.
Public-domain text, read in full here on John Shaqi.
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