Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
The expression on her face when she talked about Rol was descriptive,
to me, of many good qualities--of loyalty to emotions she did
not understand, of untapped vehemences, of tenderness--of human
characteristics she was unable to embody. She had been taught not to
embody them--she had been taught such attributes were weaknesses--or
she had been taught nothing concerning them at all. Her greedy mother.
The cocksure extravert--her father--a man who, even from her brief
account, plainly believed he knew all there was worth knowing on all
topics, one who had reached final conclusions about Everything. Reached
them--or was able to jump to them by a process requiring neither
thought nor the machinery for evaluation. Reached them or jumped to
them because his opinions were peeled like decalcomania from Precedents
set up by businessmen who have graduated from good universities.
I knew the type. Sometimes I feel there is hardly any other.
Yvonne's dad--successful real estate man--Ivy League--New
Yorker--daughter-adored. He had no reason to doubt his excellence. He
was rich, which proved it. He had graduated from a superior university,
which guaranteed his intelligence, knowledge and culture. And his
success had been achieved in a tough game in the biggest city on the
earth. Moreover, he was, apparently, a churchman. Hence not only the
tradition of America, as a whole, and the judgment of upper-class
America, but God Himself, attested to his superiority. On top of all
that, he was, no doubt, a good guy. A good guy who had loved his elder
daughter a little more (how?) than Yvonne.
It was not remarkable that Yvonne exhibited the characteristics and
the reactions she'd sketched for me--or those I'd witnessed. She had
been packaged in the best fashion of the richest and most powerful
culture of the twentieth century by people who knew and felt less of
the significance of life than any other group which has arisen in
the species during its past ten or twenty parasitical millenniums.
In representing the highest peak of what is called civilization she
presented the least sensitive arrangement of what is human.
A nice bitch, then, with a father complex.
When we began dancing, I was still fiddling in my mind with fragments
of the dinner monologue. A couple of things should be said about it.
As the reader has perceived, it represented in its way a conscious
effort at self-assessment. It was a partial statement of philosophy--my
own--urged upon me at that time because, under my circumstances, some
review of philosophy was inevitable. When the Ghoul appears, one thinks
about one's thoughts.
For a while, we scarcely talked at all.
Public-domain text, read in full here on John Shaqi.
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