Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
"A harridan. The warmest heart in the world--and what happens? The
opposite of Dorian Grey. I blame it on the high morals and low conduct
of the cops. Hard years. I loved Fiorello--and he despised every bone
in my body. I was even over in Jersey for a while. It was the lowest
period in my life. Sit down over there in the red chair. Viola, bring
us coffee. You know--I've often thought about you--when I read your
books--or when one of the girls did--or when I read something of yours
in a magazine. You aren't around here much, any more, though, are you?"
I shook my head. "Miami Beach. And now--we're building a house in
Miami."
"Florida. I went down last winter. Had a cold I simply couldn't
shake. Stayed at the Steinberg-Riviera. Hell of a place, Miami Beach!
Wonderful weather, period. Everybody on the make. Shake a palm and out
drops a chippy. A madam with ethics would starve there--and the news
about good taste hasn't got south of the Mason and Dixon Line."
"I always think of it as the end of the American dream."
"It's the end, anyhow. Phil. Do you really want to see me? Because if
you're being polite for old time's sake--maybe you'd rather put off the
sentimental chitchat till later."
Hattie is a thoughtful dame.
I was about to laugh at her when an abrupt inquiry held me for a second
or two. I was surprised--a little. But the question postponed itself.
"I came up--solely and utterly to call on you, Hattie."
She shrugged one shoulder. She yawned. "Maybe we can return your
calls. We used to. But--really--I'm delighted. Except when you
were--overburdened--you were always fun to have around. It's a dull
life--just being chaperon to a lot of whores. And it seems to me the
boys aren't interested in philosophy any more. They used to spend
more time chinning than cheating, around here. Back in the old days
of humanism and liberalism and Coué and the market boom, when the
world was full of fun. Why--I had to scout local campuses for girls
who could keep in the debates! Now--the boys just come in tight and
preoccupied--ask for a girl by hair color, like picking out paint for
a kitchen--pay--and scram. I can't recall how long it's been since we
held one of those impromptu breakfasts--for the celebrities and plain
people who happened to be around! It's depressing!"
I knew what she meant. Everybody knows.
Viola brought the coffee.
"Pretty," I said.
Hattie looked at the door where Viola had gone. "Nice girl. Married and
has two kids. The wages are no damned good--but the tips!--I think she
does as well as I do, after taxes. More passes made at Vi than nearly
anybody actually working. She's a strict Baptist."
"I wasn't--" I thought of reminiscing a little. Then I thought it might
be sad. Hattie seemed to have read my mind.
"Remember Elysse? The French girl with the brown bangs?"
I did.
Public-domain text, read in full here on John Shaqi.
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