Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
The longer she listened, the more she relaxed. When finally I stopped
talking she walked over to the window, where she had stood when I came
in. Her broadening buttocks and shoulders blotted out most of the
river-gleam and the Jersey-glow, which you could see from there--but
not the boat-hoots which came up around her, wallowing through the
city, buzzing the middle ears of the millions. She stood there a while.
The frame of faraway light blinked around her and the ferry boats
and the freighters hollered pensively at each other. When she turned
around, there were tears not only in her eyes but on her cheeks.
"If people only knew what I know!" She said it in a quiet voice with
nothing of the brash timber of her usual speech.
"I'll buy that. I'll even add a big apothegm, Hat. People have found
out so much, they are now obliged to learn the rest. The whole
God-damned, agonizing, exalted rest of it."
She smiled in a woebegone way and got a Kleenex from a drawer. "It'll
take thousands of years," she said. "They've been making the same
mistakes, that long."
"Yeah. Meanwhile, we've got Paul and Marcia. I'm supposed to have lunch
with them tomorrow. You can see--from what I've told you--why I think
the thing will fold--painfully. There is, however, a chance it won't.
A chance that depends on what sort of girl Marcia is, mostly. Which is
why I came up here."
She was shaking her head. "Not on the kind of girl she is--necessarily.
On how much she loves him."
"Okay. That."
"Providing--she can love. Providing--she hasn't kidded herself into
a sweet little daydream that she got from reading too many women's
magazines. Or all those books. She sure was a reading girl. And smart.
And attractive, too. How tough are you, Phil?"
"It's something you do, isn't it? Not fill out in a questionnaire?"
Hattie smiled. "I don't want to offend those fine sensibilities of
yours. Or make you think I'm something special in the she-Judas line.
But you want to know whether the girl means it. Why not send your Paul
back to his laboratory after lunch--he'd like that--like you to get
acquainted with her--and why not--?"
"I'm not tough that way. That's businessman tough."
She dropped a hand. "Still--there's hardly one of them in a thousand
who wouldn't--work out some breezy little arrangement--for a G, say.
And she'd have to be such a one."
"She might just see through it. You said she was smart."
Hattie shrugged. "If she was smart enough to resist the G, maybe she'd
be smart enough. However."
"In other words, you don't know about her."
Public-domain text, read in full here on John Shaqi.
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