Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
Through a recollected haze of alcohol I heard this same tirade from
old and distant days. And Hattie was right, in her way. The theory
of accession to culture and intelligence, to morality and Godliness,
through the restraint of desire by the demeaning of it, had run its
course in the Western world and unstrung nearly all of us. And where
that thesis did not exist, there were others, still more absurd, to
bring other peoples to their repetitive, obnoxious dooms.
Quite suddenly, I felt like weeping.
She left the window and sat down. "Relax."
The feeling passed like a bird's shadow.
"What were you doing all evening?" she asked. "How come you're up so
late? Work?"
I thought of telling her--telling her the truth. Thought of it hard and
seriously. "Out with a dame," I said, which was not what I meant by the
truth. "A wife. A pretty package of all the quality advertising, from
Pasadena, who had caught her hubby in flagrante with a gent--and fled.
Protesting too much, if you understand."
"Half the girls in the country--if they had the nerve--!"
"A latent thing. In maturity, according to the psychologists, it
becomes the psychological stuff by which we understand and appreciate
our own sex."
"And it does, too."
"If you say so, it must be right, Hat."
"There--you are damned tooting!" She looked at me. "So you took her
out--?"
"Rumbaing. I've got good at it--since I knew you."
"Really good?"
"Good enough to please the Cuban girls. So we danced. And I brought her
back to the hotel--and turned her loose."
"Nice guy!"
"I wanted her to exercise her mind. After all--I only met her at
lunch--and she's already moved up on my floor, next door."
"You should change hotels, then."
"Too lazy. Too busy. And I can deal with her. Spoiled--and too
bad--because the guy she left sounds okay. I wish I could help her
out. Taking--what they call--advantage of her, probably wouldn't.
And you can't re-do a person's attitude and background in a few
days--especially with a serial to correct. Usually requires years, and
a good analyst--"
"Another wife--to be hated."
"By you?"
Hattie nodded. "I hate thousands of them. Some, I adore."
We didn't seem to find anything to say for a minute. I could have given
her one more name for the short side of the ledger but I didn't want
to. Finally I said, "If you get any ideas about Marcia--?"
"Call me up--when you've met her. Better still--come by again."
"I will." I had no idea whether I would or not.
She got up. "Look. Do me a favor and autograph a couple of your books
for me, will you? And have another cup of coffee while I go downstairs
and get them?"
"All right."
Public-domain text, read in full here on John Shaqi.
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