Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
It was a listless marching--veterans on gummy asphalt all along the
limp trees by the Park. The older men from the older war rode in mimic
locomotives that bucked their front wheels, hooted sirens, clanked
bells. Some current soldiers marched--carrying rifles with hot metal
parts, and behind them came a show of mechanized equipment, with bands
interspersed. I listened to the bands and thought of Shakespeare's
reference to men who couldn't contain their urine when they heard
the bagpipes play. Brass bands, as much as anything, had undone the
loose hold of the Germans on sense. Songs about rolling caissons and
lifting anchors were flaring the eyes and dropping the chins of the
street-lining crowds here, too. I studied these people, remembering
all philosophers and the scientists and their faith in reason. Man's
monumental Thought--his pride--was silly in these surroundings.
Plato, Aristotle, Socrates, Kant, Leibnitz, Spinoza, Descartes,
Hume, Berkeley, Schopenhauer, Nietzsche, James, and a hundred
more--compartments of order in a chaos of shining orbs and panting
tongues. Pretty compositions, real in themselves, and true enough--but
floating in a flood their owners did not observe or--if they saw
it--ruled irrelevant, nor realized they rode it, too. What old classic
premise could stand the test of a brass band? None.
I watched the bright horns and the dull guns.
I stood at attention when the flags went by--feeling, as I always do,
the aspiration in those white stars and those red stripes.
We would continue to aspire--some of us--while breath stayed in us.
But this stirring--this patriotic thrill--did not debilitate my
sphincters. Tightened them, rather, against the multimillion goons who
would as soon sell all of liberty down any creek as their own two-bit
integrity. What patriots remain these days must battle harder against
their countrymen for truth, for dignity, for honesty and love than ever
against an outside foe.
It proved a misfortune to be moved to lofty sentience, at that time.
The tiresome military iron clanked by as it has clanked through every
city on the earth for thousands of years.
More men of the newer war came, canoe-shaped hats worn cock-eyed,
bellies lean still, faces blank in the scalding sunshine.
I noticed, now, that many paraders were moving among the
spectators--marchers who had been dismissed some distance up the
Avenue. These men, from other states, ticketed like parcel post,
badge-thick and boozy, shoved among the ordinary citizens, cawing
and singing, carrying pails, and shooting water pistols. Occasional
cops watched them with the fixed, tolerating smiles taught in the
department--proper address toward large political groups. The men, in
what they thought of as boisterous glee, peed out their pistol streams
at any pretty girl, blotting blouses, stippling skirts with dark
dribbles, and evoking, as often as not, coaxing screams.
Public-domain text, read in full here on John Shaqi.
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