Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
Tom took off his fogged spectacles and wiped them. I pushed the
advantage. "Cruelty among doctors. An interesting little sidetrack. I
recall, for example--"
"Skip it." He looked sorrowfully at me. "You win that one."
"All I want," I said, "is for people to _be_ truly humane. _Truly_
loving. But, to gain that, we'd be obliged to give up a great deal we
now cherish dearly."
We had lemon ice.
Later, we walked into the Park and sat down....
The people on the newspapers on the grass, the silo smell of trees at
night in heat waves, lamplight and music--as I have said....
"Cruelty in doctors," Tom repeated musingly, after we found a bench on
the Mall, where we could feel the breeze if one came.
"Last night," I responded, when he didn't go on, "I was reading a book
that suggested the whole philosophy of medicine was cruel. Saving
babies--increasing the life span--only so people will go hungry by
millions."
"Vogt? Osborne? I read them. What's true humanity? I don't know--except
sometimes, in individual cases. What about old people, for instance?"
"What about them?"
He looked back over his shoulder as if he could see through the night,
the trees of Central Park, and the blocks of buildings, to the East
River. "Out on the Island--I take care of a ward filled with them.
Chronics. Sixty years old. Seventy. Eighty. Ninety. Some been in bed
for twenty years. No cure. No hope. No chance--in a high percentage--of
doing a thing, ever. An organ's shot--ruined beyond repair. Half of
them touched with senile dementia; a quarter, sunk in it. Mess their
beds. You feed 'em with spoons. And yet they go on--year after year
after year."
"I've seen the ward."
"America has millions of such people. Only a fraction of 'em in
hospitals. Moms and pops, grandmas and grandpas, hanging on to the
last, sick gristle of existence. Spoiling the lives of other millions
of people. Taking their time and their energy. Absorbing funds that
young kids desperately need. All for nothing. Wheedling and whining
and complaining if everything isn't soft and easy for them. Reminding
sons and daughters and grandchildren of their 'duty.' The duty to be
enslaved by meaningless, useless senility. The food and the clothes,
the beds and the service, the tax money, the energy, the topsoil, if
you go for Vogt--and the metal--pours down their gullets and is worn
out by their worn-out bodies--and not one single, solitary useful
thing is accomplished."
"You're stealing my act," I said.
Tom laughed ruefully. "It's an easy act for a doctor to crib! Tell me,
why in hell do people look forward so much to old age? Nine times out
of ten, it's a mess. Even proud, independent people, when they get old,
usually lose their pride and their independence--and go down begging
for handouts."
"The best reason I can think of," I said, "is that they're disappointed
in life as they've lived it up to middle age."
Public-domain text, read in full here on John Shaqi.
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