He continued to make daily efforts to ascend the river, and to explore the tributary streams, but found his progress debarred in some quarters by the rapid current of the swollen streams, and in others by falls in the rivers. The falls of one of the tributaries of the Orinoco, the Caroli, he describes as "a wonderful breach of waters, running in three parts; and there appeared some ten or twelve over-falls in sight, every one as high over the other as a church-tower." He was informed that the lake from which the river issued was above a day's journey for one of their canoes to cross, which he computed at about forty miles; that many rivers fall into it, and great store of grains of gold was found in those rivers. On one of these rivers, he was told, a nation of people dwell "whose heads appear not above their shoulders;" which, he says, "though it may be thought a mere fable, yet, for my own part, I am resolved it is true, because every child in those provinces affirm the same. They are reported to have their eyes in their shoulders, and their mouths in the middle of their breasts, and that a long train of hair growth backward between their shoulders." Raleigh adds, "It was not my chance to hear of them till I was come away. If I had but spoken one word of it while I was there, I might have brought one of them with me to put the matter out of doubt." It might have been more satisfactory for the philosophers if he had done so; but his word was quite enough for the poets. One of that class, and the greatest of all, William Shakspeare, was, at that very time, writing plays for the gratification of Raleigh's gracious mistress and her subjects, and eagerly availed himself of this new-discovered tribe to introduce one of them in his play of "The Tempest," under the name of Caliban. He also makes Othello tell the gentle Desdemona "of most disastrous chances, and of the cannibals that each other eat; the Anthropophagi, and men whose heads do grow beneath their shoulders." Nor are these the only instances in which we think we trace the influence of the romantic adventurer on the susceptible poet. The name of the divinity whom Caliban calls "my dam's God Setebos" occurs in Raleigh's narrative as the name of an Indian tribe; and Trinculo's plan of taking Caliban to England to make a show of him seems borrowed from this hint of Raleigh's. In his days of prosperity, Raleigh instituted a meeting of intellectual men at "The Mermaid," a celebrated tavern. To this club, Shakspeare, Beaumont, Fletcher, Jonson, Selden, Donne, and other distinguished literary men, were accustomed to repair; and here doubtless the adventures and discoveries of Sir Walter, set forth with that talent of which his writings furnish abundant proof, often engaged the listening group. Raleigh was then forty-eight, and Shakspeare thirty-six, years old. But, in justice to Raleigh, it should be added, that he did not invent these