Nizami, Persia's first great romantic poet, who lived in the twelfth century of our era, wrote nothing better than his romance of Bedouin love, the story of Laili and Majnun, which has been happily termed the _Romeo and Juliet_ of the East. "France," says a recent writer, "has its Abelard and Eloise, Italy its Petrarch and Laura, Persia and Arabia have their pure pathetic romance." Many see in the story of Laili and Majnun an allegorical or spiritual interpretation. At least, it illustrates the stress which the Persian poets put upon a true, undying devotion, and the Orientals consider it the very personification of faithful love. The higher ideals are often found in the dramatic literature. Many consider Jami's celebrated _Yusuf and Zulaikha_, a dramatic poem modelled after Firdausi, to be the finest poem in the Persian language. Sir William Jones pronounces it "the finest poem he ever read." It gives account of Yusuf--the Israelite Joseph--and Zulaikha, Potiphar's wife. In this is disclosed how the human soul attains the love for the highest beauty and goodness only when it has suffered and has been thoroughly regenerated, purified, as was the life of Zulaikha. The poet, seeing the emptiness of mere beauty, reaches the inevitable conclusion that "He who gives his heart to a lovely form May look for no rest--but a life of storm If the gold of union be still his quest, With fond vain dream, love deludes his breast." The _Dabistan_ was first brought to public notice by that enthusiastic Orientalist of more than a century ago--Sir William Jones. In it there is a dissertation on the "Hundred Gates of Paradise," in which occur directions for entering the place of blessedness. Sons and daughters are to be given in early marriage. Milk must be given to a child as soon as the mother gives it birth. Directions are given to women in sickness and in childbearing. Implicit obedience to husbands is strictly enjoined, and warning is carefully given against the woman of unchaste life.