Women -- Asia -- History; Women -- Middle East -- History
The country women have greater freedom and far more influence with
their husbands than do the women of the harem. Polygamy among the former
class is rare, and hence the women are more highly regarded than those
of the city. The peasant woman is industrious, engaged in some useful
employment about the house or in the field. She buys and sells and gets
gain for her husband and her home, and often is highly esteemed by him;
but he will not let you know it, if he can avoid doing so. In public he
always assumes the attitude of superiority. If but one can ride, it is
the man and the children who sit upon the beast; the woman walks along
at the side, carrying a bundle on her head or a baby at her
breast--sometimes jogging along with both. If Arab and wife must both
walk with burdens, the man carries the lighter load. And the woman must
prepare the meal at the journey's end, while her lord reposes--and
smokes. Excavators in the East have frequently found Arab girls who
desired work, and with their baskets they would for hours carry out the
earth with endurance apparently equal to that of the men.
The Arab girls, as a rule, grow up in ignorance. It is not thought worth
while to educate the daughter; and, indeed, it is regarded by many as
destructive of the best order of society to give woman any opportunity
which may cause her to desire to usurp the power which heaven has placed
in the hands of men. There is, accordingly, little enlightened
housekeeping, little to stimulate a woman's mind, little opportunity
here for "the hand that rocks the cradle" to move the world. Sons grow
up with little respect for their mothers, for there is nothing to make
it otherwise. The husband, should he wish to divorce himself from his
wife, simply orders her to leave his house, and his will is law. Civil
government takes no cognizance of matrimonial affairs, and religious
authority allows the husband to do much as he may see fit in his own
house.
[Illustration 4: _AN ORIENTAL WOMAN'S PASTIME After the painting by
Frederick A. Bridgman She is not a companion, but only a gilded toy, a
decorative object.... Among the higher class she is still kept in strict
seclusion, and her time is passed in luxurious idleness, save for the
hours she employs at her embroidery or tapestry. The garden, with its
heavily perfumed blossoms, pleases her; the ceaseless plash of the
fountain falls musically on her ear; all her physical needs are
ministered to. But everything conduces to the dreaminess of her nature,
to slothful habits; her activities are fettered by the law of Mohammed.
After all, her garden is but an exquisite prison._]
Public-domain text, read in full here on John Shaqi.
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