Women -- Asia -- History; Women -- Middle East -- History
The modern Egyptian water girl is often an interesting bit of humanity.
Canon Bell thus describes her in his _Winter on the Nile_: "You may be
accompanied, if you like it, by a little girl clad in blue, adorned with
a necklace of beads, earrings and bracelets, and sometimes a nose-ring,
carrying a water jar on her head, from which she will supply you at
luncheon among the temples and tombs, for a small backsheesh. She will
run beside your donkey for miles, and never seem tired, and if you will
drink from her jar, of the same shape which you will see sculptured on
the temple walls, will reward you with a sweet smile from her coral
lips. And what teeth she and all the people have! I never saw teeth so
regular and so white. They are like a string of orient pearls; and it is
a pleasure when the lips part, and you see them gleaming white as driven
snow."
In ancient Egypt the woman was queen of her own house, the real mistress
of domestic life. When the husband was at home, he was looked upon
rather in the light of a "privileged guest," and the housewife was the
respected hostess, holding everything beneath her undisputed sway. In
short, she was the very soul and centre of the domestic activity, rising
early and stirring the household into life and movement.
Let us take a peep into an Egyptian home. Excavation has revealed that
the palaces of the kings of Babylonia were built in a much more
substantial and enduring fashion than were the temples of the gods. The
reverse is true of Egypt. Egyptian temples were built not for time, but
for eternity. The palaces, however, were of far lighter character, being
erected of brick or undressed freestone, but rarely of granite or the
more enduring materials. Eternity played an important part in the
religious thinking of the Egyptians. This will account in a measure for
the more enduring character of the houses of the gods. The dwellings of
members of the richer classes were made up of an aggregation of houses,
suggesting a miniature village. There were separate houses for the
various members of the family: the master, the chief wife, the harem
women, the visitors, and the several classes of servants. Storehouses
were separate from buildings designed for habitation, and the several
domestic offices had their individual buildings. The court, which every
villa had, was planted with trees and flowers, and frequently was
provided with a fountain and a pool. The women of the harem found
opportunity for amusement in these beautiful courts. During the day
these secluded beauties whiled away their time in gossiping, playing
upon instruments, and indulging in the games in vogue. When night came
they lay down to rest with their heads upon pillows consisting of a
piece of curved wood, upon which was usually carved an image of the god
Bisou, who guarded the sleeper. This little dwarf, a divinity with short
legs and rotund stomach, drives away the demons who infest the night and
Public-domain text, read in full here on John Shaqi.
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