Original Penny Readings: A Series of Short SketchesFenn, George Manville
General
Original Penny Readings: A Series of Short Sketches
Fenn, George Manville
Fiction; Short stories
And stop I did, sir, a talkin' to the poor woman, an' I told her all
about the loaf, and made her sob and cry to hear where her husband was.
But she brightened up when I told her as he'd had a good feed and was
well wrapped up; and how baker wouldn't prosecute, I was sure. And then
back comes baker, and his wife with him, and they'd got a couple o'
blankets and a rug, and at last, sir, there was such goin's on that I'm
blest if I warn't obliged to go out on the landin', for the poor woman
wanted to kiss me; and if I'd ha' stayed in the room a minute longer I
knows I should have disgraced the force by acting like a soft.
Soon afterwards baker and his wife comes out, and we all goes off, but
not till it was settled that I was to go and have dinner with 'em on the
next Sunday, which I did, and I'm blowed--which I hope you'll excuse,
sir--if I knew Mr Graham, which was the poor fellow I took, for baker
had rigged him out, and got him a place to go to; and since then I've
often seen--Well, if it ain't half-past ten, sir, and--Not a drop more,
thank ye, or I shall have the key of the street.
CHAPTER THIRTY ONE.
A WEIRD PLACE.
Wondering whether Molly told the truth when she declared that she had
never been false since the last parting at Wapping Old Stairs, and
forming our own opinion upon the matter in a way decidedly unfavourable
towards the trowsers washing, grog-making lady, in consequence of
comparisons made with the feline damsels lurking at the corners of the
courts, I came to an open door. Then without pausing to think that
comparisons are odious, I confronted a pluffy-looking old gentleman
busily engaged in building leaning Towers of Pisa with the bronze
coinage of our realm. He was a gentleman of a subdued jovial expression
of countenance, evidently not overburdened with toil, from the jaunty
way in which he shifted from his left to his right foot, took my penny
and allowed the turnstile to give its "click, click;" when passing
through a pair of swing doors, I stood in a sort of dirty-looking
whispering gallery, gazing down upon what appeared to be a sham chalet,
minus the stones upon the roof. Right, left, and in front were painted
views of sea-ports and landscapes, all looking like the dark half of
that portrait exhibited by the gentleman who cleans and restores
paintings; while assailing the nostrils was a peculiar odour something
like the essence of stale theatre bottled and buried for many years in a
damp cellar.
But there were stairs innumerable to descend before I could enter the
famed tunnel of the Thames; and then, after a rat like progress,
re-appear in Rotherhithe.
Public-domain text, read in full here on John Shaqi.
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