Original Plays, Second SeriesGilbert, W. S. (William Schwenck)
General
Original Plays, Second Series
Gilbert, W. S. (William Schwenck)
English drama; Operas -- Librettos
RECITATIVE.--RALPH.
Can I survive this overbearing
Or live a life of mad despairing,
My proffered love despised, rejected?
No, no, it’s not to be expected!
(_Calling off._)
Messmates, ahoy!
Come here! Come here!
_Enter _Sailors_, HEBE, and _Relatives_._
_All._ Ay, ay, my boy,
What cheer, what cheer?
Now tell us, pray,
Without delay,
What does she say--
What cheer, what cheer?
_Ralph_ (_to COUSIN HEBE_).
The maiden treats my suit with scorn,
Rejects my humble love, my lady;
She says I am ignobly born,
And cuts my hopes adrift, my lady.
_All._ Oh, cruel one!
_Dick._ She spurns your suit? Oho! Oho!
I told you so, I told you so.
_Sail. and Rel._
Shall {we} submit? Are {we} but slaves?
{they} {they}
Love comes alike to high and low--
Britannia’s sailors rule the waves,
And shall they stoop to insult? No!
_Dick._ You must submit, you are but slaves;
A lady she! Oho! Oho!
You lowly toilers of the waves,
She spurns you all--I told you so! (_Goes off._)
_Ralph_ (_drawing a pistol_).
My friends, my leave of life I’m taking,
For oh, for oh, my heart is breaking.
When I am gone, oh, prithee tell
The maid that, as I died, I loved her well!
(_Loading it._)
_All_ (_turning away, weeping_).
Of life, alas! his leave he’s taking.
For, ah! his faithful heart is breaking.
When he is gone we’ll surely tell
The maid that, as he died, he loved her well.
(_During chorus he has loaded pistol._)
_Ralph._ Be warned, my messmates all
Who love in rank above you--
For Josephine I fall!
(_Puts pistol to his head. All the sailors stop their ears._)
_Enter JOSEPHINE._
_Jos._ Ah! stay your hand! I love you!
_All._ Ah! stay your hand--she loves you!
_Ralph_ (_incredulously_).
Loves me?
_Jos._ Loves you!
_All._ Yes, yes--ah, yes--she loves you!
ENSEMBLE.
SAILORS AND RELATIVES, AND JOSEPHINE.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account