Original Plays, Second SeriesGilbert, W. S. (William Schwenck)
General
Original Plays, Second Series
Gilbert, W. S. (William Schwenck)
English drama; Operas -- Librettos
_Fred._ (Pirates _threaten RUTH_).
Away, you did deceive me!
_Chorus._ Away, you did deceive him!
_Ruth._ Oh, do not leave me!
_Chorus._ Oh, do not leave her!
_Fred._ Away, you grieve me!
_Chorus._ Away, you grieve her!
_Fred._ I wish you’d leave me.
[_FREDERIC casts RUTH from him. Exit RUTH._
ENSEMBLE.
Pray observe the magnanimity
We }
They} display to lace and dimity;
Never was such opportunity
To get married with impunity,
{ we }
But {they} give up the felicity
Of unbounded domesticity,
Though a doctor of divinity
Is located in this vicinity.
_King._ For we are all orphan boys!
_All._ We are,
Hurrah for the orphan boys!
_Gen._ And it sometimes is a useful thing
To be an orphan boy.
_All._ It is.
Hurrah for the orphan boy!
[__Girls_ and GENERAL go up rocks, while _Pirates_ indulge in a
wild dance of delight. The GENERAL produces a British flag, and
the PIRATE KING, on arched rock, produces a black flag with
skull and cross-bones. Picture._
ACT II.
SCENE.--_A ruined chapel by moonlight. Aisles divided by pillars and
arches; ruined Gothic windows at back. GENERAL STANLEY discovered
seated pensively, surrounded by his daughters._
CHORUS.
Oh, dry the glistening tear
That dews that martial cheek;
Thy loving children hear,
In them thy comfort seek.
With sympathetic care
Their arms around thee creep,
For oh, they cannot bear
To see their father weep.
_Enter MABEL._
SOLO.--MABEL.
Dear father, why leave your bed
At this untimely hour,
When happy daylight is dead,
And darksome dangers lower?
See, heaven has lit her lamp,
The midnight hour is past,
The chilly night air is damp,
And the dews are falling fast!
Dear father, why leave your bed
When happy daylight is dead?
_FREDERIC enters down aisle._
_Mab._ Oh, Frederic, cannot you reconcile it with your conscience to
say something that will relieve my father’s sorrow?
_Fred._ I will try, dear Mabel. But why does he sit, night after night,
in this draughty old ruin?
_Gen._ Why do I sit here? To escape from the pirates’ clutches, I
described myself as an orphan, and I am no orphan! I come here to
humble myself before the tombs of my ancestors, and to implore their
pardon for having brought dishonour on the family escutcheon.
_Fred._ But you forget, sir, you only bought the property a year ago,
and the stucco in your baronial hall is scarcely dry.
Public-domain text, read in full here on John Shaqi.
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