Original Plays, Second SeriesGilbert, W. S. (William Schwenck)
General
Original Plays, Second Series
Gilbert, W. S. (William Schwenck)
English drama; Operas -- Librettos
_Dan._ Does it seem so strange to thee? Hast thou e’er known what it is
to set thy heart night and day on one object, to dream of it, sleepin’
and wakin’, to find the hope of it flavouring thy meat and drink, and
weavin’ itself so into thy life that every thought o’ thy brain is born
of it, and every deed o’ thy hand has some bearin’ on it? And havin’
done all this, and so fashioned, and twisted, and turned, and trimmed
the chances at thy hand that the one hope of thy soul shall be helped
on by it, hast thou known what it is to find, at one bitter, black
blow, thy hope made hopeless, thy love loveless, thy life lifeless? So
did I hope and pray to be blessed with a little child--so was my hope
withered when I thought it sure of fulfilment. I had a store of love
in my battered heart to _set on some one thing of my creating_; it was
there for that end, and for none other. When _she_ left me (curse him!)
I knew, for certain, that one thing would never be of flesh and blood,
and it never will, for the love of my heart is given over to the next
best thing--gold and silver, gold and silver. Ay, brother, I love my
gold as other men love their bairns; it’s of my making, and I love it,
I love it! A mean and sordid love, maybe, but hard, and bad, and base
as thou thinkest me, I’ve prayed a thousand times that my gold might
take a living form, that the one harmless old hope of my wrecked life
might come true.
_Mar._ The age of miracles is past, Jonas. Well, I’ve said my say and
done my do. Stay where thou art, and Heaven forgive thee, Jonas Marple.
_Dan._ (_sternly_). He’s dead!
_Mar._ (_warmly_). He is; dead to the call of reason, dead to the
voice of human love, dead to everything that marks a reasoning man off
from the beasts that perish. Thou hast well said, Jonas Marple _is_
dead--rest his soul!
_Dan._ Amen! Now go.
[_MARPLE, after a pause, shrugs his shoulders, and exit with RIPLEY._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account