_Mr. Gladstone._--“I found the book full of interest.” A VERY STRANGE FAMILY. By F. W. Robinson, Author of “Grandmother’s Money,” “Lazarus in London,” &c. _Glasgow Herald._--“An ingeniously devised plot, of which the interest is kept up to the very last page. A judicious blending of humour and pathos further helps to make the book delightful reading from start to finish.” Dramatic Literature. THE PLAYS OF ARTHUR W. PINERO. With Introductory Notes by Malcolm C. Salaman. 16mo, Paper Covers, 1_s._ 6_d._; or Cloth, 2_s._ 6_d._ each. THE TIMES: A Comedy in Four Acts. With a Preface by the Author. (Vol. I.) _Daily Telegraph._--“‘The Times’ is the best example yet given of Mr. Pinero’s power as a satirist. So clever is his work that it beats down opposition. So fascinating is his style that we cannot help listening to him.” _Morning Post._--“Mr. Pinero’s latest belongs to a high order of dramatic literature, and the piece will be witnessed again with all the greater zest after the perusal of such admirable dialogue.” THE PROFLIGATE: A Play in Four Acts. With Portrait of the Author, after J. Mordecai. (Vol. II.) _Pall Mall Gazette._--“Will be welcomed by all who have the true interests of the stage at heart.” THE CABINET MINISTER: A Farce in Four Acts. (Vol. III.) _Observer._--“It is as amusing to read as it was when played.” THE HOBBY HORSE: A Comedy in Three Acts. (Vol. IV.) _St. James’s Gazette._--“Mr. Pinero has seldom produced better or more interesting work than in ‘The Hobby Horse.’” LADY BOUNTIFUL: A Play in Four Acts. (Vol. V.) THE MAGISTRATE: A Farce in Three Acts. (Vol. VI.) DANDY DICK: A Farce in Three Acts. (Vol. VII.) To be followed by The Schoolmistress, The Weaker Sex, Lords and Commons, The Squire, and Sweet Lavender. A NEW PLAY. By Henrik Ibsen. Translated from the Norwegian. Small 4to. [_In preparation._ A NEW PLAY. By Björnstjerne Björnson. Translated from the Norwegian. [_In preparation._ THE PRINCESSE MALEINE: A Drama in Five Acts (Translated by Gerard Harry), and THE INTRUDER: A Drama in One Act. By Maurice Maeterlinck. With an Introduction by Hall Caine, and a Portrait of the Author. Small 4to, cloth, 5_s._ _Athenæum._--“In the creation of the ‘atmosphere’ of the play M. Maeterlinck shows his skill. It is here that he communicates to us the _nouveau frisson_, here that he does what no one else has done. In ‘The Intruder’ the art consists of the subtle gradations of terror, the slow, creeping progress of the nightmare of apprehension. Nothing quite like it has been done before--not even by Poe--not even by Villiers.”