Ormond; Or, The Secret Witness. Volume 2 (of 3)Brown, Charles Brockden
History
Ormond; Or, The Secret Witness. Volume 2 (of 3)
Brown, Charles Brockden
Gothic fiction; Philadelphia (Pa.) -- History -- 19th century -- Fiction; Young women -- Fiction
These fits were accustomed to approach and to vanish by degrees. They
were transitory, but not unfrequent, and were pregnant with such
agonizing tenderness, such heart-breaking sighs, and a flow of such
bitter yet delicious tears, that it were not easily decided whether the
pleasure or the pain surmounted. When symptoms of their coming were felt
she hastened into solitude, that the progress of her feelings might
endure no restraint.
On the evening of the day on which the lute had been sent to the foreign
lady, Constantia was alone in her chamber immersed in desponding
thoughts. From these she was recalled by Fabian, her black servant, who
announced a guest. She was loath to break off the thread of her present
meditations, and inquired with a tone of some impatience, who was the
guest. The servant was unable to tell; it was a young lady whom he had
never before seen; she had opened the door herself, and entered the
parlour without previous notice.
Constantia paused at this relation. Her thoughts had recently been fixed
upon Sophia Westwyn. Since their parting four years before she had heard
no tidings of this woman. Her fears imagined no more probable cause of
her friend's silence than her death. This, however, was uncertain. The
question now occurred, and brought with it sensations that left her no
power to move:--was this the guest?
Her doubts were quickly dispelled, for the stranger taking a light from
the table, and not brooking the servant's delays, followed Fabian to the
chamber of his mistress. She entered with careless freedom, and
presented to the astonished eyes of Constantia the figure she had met at
Roseveldt's, and the purchaser of her lute.
The stranger advanced towards her with quick steps, and mingling tones
of benignity and sprightliness, said:--
"I have come to perform a duty. I have received from you to-day a lute
that I valued almost as my best friend. To find another in America,
would not, perhaps, be possible; but, certainly, none equally superb and
exquisite as this can be found. To show how highly I esteem the gift, I
have come in person to thank you for it."--There she stopped.
Constantia could not suddenly recover from the extreme surprise into
which the unexpectedness of this meeting had thrown her. She could
scarcely sufficiently suppress this confusion to enable her to reply to
these rapid effusions of her visitant, who resumed with augmented
freedom:--
"I came, as I said, to thank you, but to say the truth that was not all,
I came likewise to see you. Having done my errand, I suppose I must go.
I would fain stay longer and talk to you a little. Will you give me
leave?"
Public-domain text, read in full here on John Shaqi.
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