Ormond; Or, The Secret Witness. Volume 3 (of 3)Brown, Charles Brockden
History
Ormond; Or, The Secret Witness. Volume 3 (of 3)
Brown, Charles Brockden
Gothic fiction; Philadelphia (Pa.) -- History -- 19th century -- Fiction; Young women -- Fiction
Conceptions like these were unworthy of the mind of Constantia. An
interval of silence succeeded, interrupted only by the whistling of the
blast without. It was sufficient for the restoration of her courage. She
blushed at the cowardice which had trembled at a sound. She considered
that Ormond might, indeed, be near, but that he was probably unconscious
of her situation. His coming was not with the circumspection of an
enemy. He might be acquainted with the place of her retreat, and had
come to obtain an interview, with no clandestine or mysterious purposes.
The noises she had heard had, doubtless, proceeded from the next
apartment, but might be produced by some harmless or vagrant creature.
These considerations restored her tranquillity. They enabled her,
deliberately, to create a light, but they did not dissuade her from
leaving the house. Omens of evil seemed to be connected with this
solitary and darksome abode. Besides, Ormond had unquestionably entered
upon this scene It could not be doubted that she was the object of his
visit. The farm-house was a place of meeting more suitable and safe than
any other. Thither, therefore, she determined immediately to return.
The closet had but one door, and this led into the chamber where the
sounds had arisen. Through this chamber, therefore, she was obliged to
pass, in order to reach the staircase, which terminated in the hall
below.
Bearing the light in her left hand, she withdrew the bolt of the door
and opened. In spite of courageous efforts, she opened with
unwillingness, and shuddered to throw a glance forward or advance a step
into the room. This was not needed, to reveal to her the cause of her
late disturbance. Her eye instantly lighted on the body of a man,
supine, motionless, stretched on the floor, close to the door through
which she was about to pass.
A spectacle like this was qualified to startle her. She shrunk back, and
fixed a more steadfast eye upon the prostrate person. There was no mark
of blood or of wounds, but there was something in the attitude more
significant of death than of sleep. His face rested on the floor, and
his ragged locks concealed what part of his visage was not hidden by his
posture. His garb was characterized by fashionable elegance, but was
polluted with dust.
The image that first occurred to her was that of Ormond. This instantly
gave place to another, which was familiar to her apprehension. It was at
first too indistinctly seen to suggest a name. She continued to gaze and
to be lost in fearful astonishment. Was this the person whose entrance
had been overheard, and who had dragged himself hither to die at her
door? Yet, in that case, would not groans and expiring efforts have
testified his condition and invoked her succour? Was he not brought
hither in the arms of his assassin? She mused upon the possible motives
that induced some one thus to act, and upon the connection that might
subsist between her destiny and that of the dead.
Public-domain text, read in full here on John Shaqi.
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