Ormond; Or, The Secret Witness. Volume 3 (of 3)Brown, Charles Brockden
History
Ormond; Or, The Secret Witness. Volume 3 (of 3)
Brown, Charles Brockden
Gothic fiction; Philadelphia (Pa.) -- History -- 19th century -- Fiction; Young women -- Fiction
I could not applaud the discretion nor censure the temerity of this
proceeding. My mind was harassed by unintelligible omens and
self-confuted fears. To obviate the danger and to banish my inquietudes
was my first duty. For this end I hastened to the mansion. Having passed
the intervening hillocks and copses, I gained a view of the front of the
building. My heart suddenly sunk, on observing that no apartment--not
even that in which I knew it was her custom to sit at these unseasonable
hours--was illuminated. A gleam from the window of the study I should
have regarded as an argument at once of her presence and her safety.
I approached the house with misgiving and faltering steps. The gate
leading into a spacious court was open. A sound on one side attracted my
attention. In the present state of my thoughts, any near or unexplained
sound sufficed to startle me. Looking towards the quarter whence my
panic was excited, I espied, through the dusk, a horse grazing, with his
bridle thrown over his neck.
This appearance was a new source of perplexity and alarm. The inference
was unavoidable that a visitant was here. Who that visitant was, and how
he was now employed, was a subject of eager but fruitless curiosity.
Within and around the mansion, all was buried in the deepest repose. I
now approached the principal door, and, looking through the keyhole,
perceived a lamp, standing on the lowest step of the staircase. It shed
a pale light over the lofty ceiling and marble balustrades. No face or
movement of a human being was perceptible.
These tokens assured me that some one was within: they also accounted
for the non-appearance of light at the window above. I withdrew my eye
from this avenue, and was preparing to knock loudly for admission, when
my attention was awakened by some one who advanced to the door from the
inside and seemed busily engaged in unlocking. I started back and waited
with impatience till the door should open and the person issue forth.
Presently I heard a voice within exclaim, in accents of mingled terror
and grief, "Oh, what--what will become of me? Shall I never be released
from this detested prison?"
The voice was that of Constantia. It penetrated to my heart like an
icebolt. I once more darted a glance through the crevice. A figure, with
difficulty recognised to be that of my friend, now appeared in sight.
Her hands were clasped on her breast, her eyes wildly fixed upon the
ceiling and streaming with tears, and her hair unbound and falling
confusedly over her bosom and neck.
My sensations scarcely permitted me to call, "Constantia! For Heaven's
sake, what has happened to you? Open the door, I beseech you."
"What voice is that? Sophia Courtland! O my friend! I am imprisoned!
Some demon has barred the door, beyond my power to unfasten. Ah, why
comest thou so late? Thy succour would have somewhat profited if sooner
given; but now, the lost Constantia--" Here her voice sunk into
convulsive sobs.
Public-domain text, read in full here on John Shaqi.
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