Authors, Irish -- 19th century -- Biography; Wilde, Oscar, 1854-1900
The almost morbid fascination the sight of this man with his foot in the
grave exercises over him is undiminished, till one day he misses him and
knows that he is standing "In black dock's dreadful pen." He himself had
been through that dread ordeal and his spirit goes out to him whom he
had seen daily for a brief space without ever holding commune with him.
"Like two doomed ships that pass in storm
We had crossed each other's way,"
he writes, and proceeds to explain that it was impossible for them to
exchange word or sign, as they never saw each other in the "holy" night
but in the "shameful" day. In a passage of rare beauty, one of the
finest in the poem, he explains--
"A prison wall was round us both
Two outcast men we were
The world had thrust us from his heart,
And God from out His care:
And the iron gin that waits for Sin
Had caught us in its snare."
The lines in their supreme reticence indicate precisely the agony and
despair that filled the heart of C33, and once again a comparison with
"Eugene Aram" is forced upon us.
The third period starts with a picture of the doomed man and a scathing
bit of satire directed against the prison officials. The wretch is shown
to us watched day and night by keen, sleepless eyes, debarred even for a
brief second of the privilege of being alone with his thoughts and his
misery.
Then a small detail is introduced to heighten the effect of the grim
picture--
"And thrice a day he smoked his pipe
And drank his quart of beer."
There is quite a Shakespearean note in this introduction of these
commonplace details, which proves how thoroughly Oscar Wilde had studied
the methods of the great dramatist.
But he leaves the condemned cell to paint the effect the whole ghastly
tragedy being enacted within those grey walls had upon the other
prisoners. To a highly strung and supersensitive nature like the
writer's the strain must have been terrible. The captives went through
the allotted tasks of picking oakum till the fingers bled, scrubbing the
floors, polishing the rails, sewing sacks, and all the other daily
routine of prison life.
"But in the heart of every man
Terror was lying still--"
until one day, returning from their labours, they "passed an open
grave," and they knew that the execution would take place on the morrow.
They saw the hangman with his black bag shuffling through the gloom, and
like cowed hounds they crept silently back to their cells. Then night
comes and Fear stalks through the prison, but the man himself is wrapt
in peaceful slumbers. The watching warders cannot make out
"How one could sleep so sweet a sleep
With a hangman close at hand."
Public-domain text, read in full here on John Shaqi.
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